Born in 1937, Don Henderson picked up a guitar after being inspired by blues legends like Blind Lemon Jefferson and Josh White. Growing up in the middle-class Melbourne suburbs of Essendon and Moonee Ponds, he trained as a fitter and turner but worked various jobs, most often as a carpenter. His time on the Snowy Mountains hydro-electricity scheme inspired one of his earliest and most popular songs, the upbeat ''Put a Light in Every Country Window''. A BLF member, Henderson moved to Sydney, where he repaired instruments and eventually began crafting his own guitars. Folk musician Gary Shearston recalled that Henderson’s Woollahra workshop became a hub for one part of the pre-boom Sydney folk scene, overlapping with groups like the Push and the Bush Music Club; later, Alex Hood established his Folk Arts Centre in the same space.
The first recording of Henderson’s singing was an album, 'The Ballad of Women', a record he made in 1964 with the Brisbane Union Singers that featured his songs ''Talking Carpenter'', ''The Happy Song'', and ''Wittenoom Gorge''. The EP 'Basic Wage Dream' (1964), released by the Australian Council of Salaried and Professional Associations featured his songs ''The Basic Wage Dream'' sung by Alex Hood and ''Talking Basic Wage'' sung by Don Ayrton, and formed part of the 1964 basic wage campaign. In 1966 Henderson and the Brisbane Union Singers released 'One Out', featuring thirteen of his songs including ''Hooker Rex'', the anti-war song, ''Boonaroo'', and ''Peace Is Union Business''. On 28 April 1967 at the registrar general’s office, Sydney, Henderson married Sally Watson, an English-born nurse.
In 1970 Henderson released a songbook, 'I Can Sing', which contained twenty-seven songs and a poem. In the introduction he wrote, ''I have seen a few things and met a few people . . . they are my life, and no man wants his life to go for nothing''. His album 'Ton of Steel' (containing thirteen original songs), released in 1971, featured ''The Westgate Bridge Disaster'', written by Henderson at union request as a memorial to the thirty-five men who died when the bridge collapsed during construction. Although Melbourne-born, Henderson had little fondness for its folk venues, admitting, “I never liked Melbourne audiences… never liked singing there… never liked Melbourne as a town.”
'Flames of Discontent' 1979 Seamen's Union of Australia
'In My Time' 1988 Hot to Trot
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