Having completed a degree in physics in the 70s, Walker was working for the Weapons Research Establishment, modelling airflow for F-111s, when he formed Cold Chisel. Walker moved to Kings Cross in Sydney in 1976 and stayed there for three decades. Kings Cross locations (including Springfield Avenue, Forbes Street, Sweethearts and the El Alamein Fountain) are mentioned in many of his songs. From the earliest days Walker was the creative songwriting force for Cold Chisel. He became known for his passionate and raw lyrical observations on the Australian society and culture of the time. His songwriting credits include the hit singles "Flame Trees," "Saturday Night," "Choirgirl," "Goodbye (Astrid Goodbye)", "Cheap Wine," and the Australian Vietnam war song "Khe Sanh" (voted the 8th greatest Australian song of all time by the Australian Performing Rights Association in 2001). Many of these songs still receive airplay on Australian radio to this day and have become ingrained in Australian music culture.
During his time with Cold Chisel he produced his first work outside the band, the soundtrack to the Australian movie Freedom, directed by Scott Hicks. The soundtrack was released as an album and featured members of Cold Chisel and Michael Hutchence. The Age described it as, "the best rock music written for an Australian movie." After Cold Chisel disbanded in 1983, Walker had a five-year hiatus before resuming recording and performing using the name Catfish. Ostensibly a band, Catfish was in effect a solo project, featuring Walker on vocals, keyboards and penning all the songs. Catfish featured various backing musicians, such as Charlie Owen, Ian Moss, Ricky Fataar and harmonica player David Blight. Performing as a singer live for the first time, Walker recalled it initially being, "so hard I had to get half-happy on alcohol to manage it."
The first album, 'Unlimited Address', released in 1989, showed a jazzier, Eastern European side to Walker's songwriting, reflecting his travels during the previous years. Despite being critically lauded, sales were moderate, the album reaching #49 in the national charts. The next album, 'Ruby' was a return to Australia in sound and lyrical subject matter. Again, it was well received by critics but sold relatively poorly. The track "Charleville" was later to receive country music awards when covered by Slim Dusty.
In early 1992, Walker featured in an acoustic live performance for alternative radio station JJJ with Charlie Owen, James Cruickshank and Tex Perkins. In 1993 Tex, Don and Charlie released their first album, 'Sad But True' on Red Eye Records. The record, an acoustic country-tinged affair, returned Walker to some level of popular awareness and received rave reviews in magazines like Australian Rolling Stone. About half the songs were written by Walker, including "Sitting in a Bar." The band toured strongly on the back of the album, later releasing a live album 'Monday Morning Coming Down', featuring tracks from 'Sad But True' plus some covers of standards. Walker said, "There are recording warts that are all over every record but most producers clean them off; we love 'em so we leave 'em."
1994 was the year of Walker's first full release under his own name, 'We're All Gunna Die'. He stated that it was the first album to carry his name as, "it was the first record that finished up how I wanted it." Rehearsal sessions were held over four afternoons in Walker's lounge room, and all songs were recorded in three takes or less. The band featured David Blight, Garrett Costigan on pedal-steel guitar and Red Rivers on guitar. The music was a ragged mix of country, Chicago blues and balladry, and featured the song "Eternity". It would be another 12 years before Walker was to produce another solo recording, the well-received 'Cutting Back'. From 2005 to 2015 he toured Australia occasionally with his backing band, The Suave Fucks.
2005 saw the release of a third Tex, Don and Charlie album, 'All Is Forgiven', similar in style to the first. Again, Walker wrote about half the songs, including "Harry was a Bad Bugger", described by Chris Johnston as, "the Australian song of the year", and by Mess & Noise as, "one of the finest Australian compositions of the last 20 years." The album was shortlisted for the inaugural Australian Music Prize.
Walker published his first book, Shots, in 2009. It was an autobiographical collection of smaller pieces, rarely more than a few pages in length. The subject matter was mostly recollections of rural Australia or life with Cold Chisel before they became widely famous. A separate piece by Walker had previously been included in The Best Australian Essays collection for 2007.
Shots received a number of positive reviews: The Age described the memoir as "a whip crack across a landscape of rural Australia, lonely highways and endless gigs;" in the Australian Book Review it was called "a quite wonderful book [that] blasts away every last vestige of the crude, boozy, foot-stomping, flag-waving Australiana that has until now enveloped the Cold Chisel story like a filthy smog, leaving behind only the simmering highways, the trashy motels, the dank pubs and the monotonous suburbs of a nation slouching apathetically through the remnants of the 20th century." Readings from Shots, as performed by Walker, were aired on Radio National throughout late 2009.
'Live in Queenscliff', Walker's first live album, was given a digital-only release in early 2011. It features a performance with The Suave Fucks at the 2006 Queenscliff Music Festival. Another digital-only album, 'Live at the Caravan', was released in 2014.
In 2013, Walker released the album 'Hully Gully'. It was recorded with the Suave Fucks over a decade. Joe Henry was asked to mix the album because Walker was impressed by his work on the Allen Toussaint album 'The Bright Mississippi', saying, "it sounded like Duke Ellington produced by Jimmy Page. I just fell in love with the record." Named after a simple 60s dance, it was thought by some to be his best album to date, but failed to chart. Tex, Don and Charlie reconvened in 2017 with a new album, 'You Don't Know Lonely', reaching #14 in the Australian charts, and an extensive national tour.
In May 2023, Walker is set to release 'Lightning in a Clear Blue Sky' followed by an East Coast Australian tour.
Walker has worked with many other artists, most notably with song writing credits on Ian Moss' hit album, 'Matchbook'and Jimmy Barnes' top ten single "Stone Cold". He has written with or had songs recorded by TOFOG, Jimmy Little, Kate Ceberano, Wendy Matthews, Wes Carr, Troy Cassar-Daley, Graeme Connors, Anne Kirkpatrick, Mick Harvey, Missy Higgins, Busby Marou, Melinda Schneider, Sarah Blasko, Katie Noonan, Jeff Lang, Normie Rowe and Adam Brand. Two Walker-penned songs appeared on 'The Very Best of Slim Dusty', which stayed in the Australian country charts for over 15 years. He also produced Moss' album 'Petrolhead'. He is the brother of the Australian novelist, Brenda Walker and son of Australian novelist Shirley Walker. He is a Brisbane Broncos supporter.
SINGLES
'Speed Kills' [with Michael Hutchence] / Fascist Sounds'' 1982 WEA
'Yakuza Girls / Four In The Morning / Silos'' 2006 Warner Music
'Speed Kills' [with Michael Hutchence] / Fascist Sounds'' 1982 WEA
'Yakuza Girls / Four In The Morning / Silos'' 2006 Warner Music
'Freedom: Original Soundtrack Music' 1981 WEA
'Unlimited Address' (#50) (As Catfish) 1988 WEA
'Ruby' (As Catfish) (#98) 1991 EastWest
'We're All Gonna Die' 1995 Salt
'Cutting Back' 2006 Warner Music
'Hully Gully' 2013 Salt
'Lightning in a Clear Blue Sky' 2023 Palomarr
References
https://en.wikipedia.org/wiki/Don_Walker_(musician)
'Hully Gully' 2013 Salt
'Lightning in a Clear Blue Sky' 2023 Palomarr
References
https://en.wikipedia.org/wiki/Don_Walker_(musician)
No comments:
Post a Comment