Sunday 18 February 2024


The Cutters were formed in Melbourne by Peter Bowman on guitars and vocals (ex-Talk That Walk), Phil Buckle on vocals and guitar, and Geoff Cain on bass guitar. They were joined by Virgil Donati on drums (ex-Cloud Nine, Taste, Peter Cupples Band, the Cosy Connection) and changed their name to The State in 1987. By 1988 the group were signed to Glenn Wheatley's label, Wheatley Bros Records, and released their debut single, "Responsible", in June. It was followed by "Real Love" in October. At the ARIA Music Awards of 1989 they were nominated for Best New Talent for "Real Love". They issued their debut album, 'Elementary', in February 1989. The Age's Mike Daly observed, "there is some polished playing on the album but it is undermined by predictable material. The quartet... produce hi-tech pop dominated by Donati's hard-edged acoustic and synthesised rhythms. Buckle is an accomplished guitarist, a jazz fusion veteran like Donati, which gives this group more chops than most contemporary bands. The opener. 'Responsible', is catchy, while some flashy guitar is unleashed on 'Real Love' and 'One Step', with strong vocal back-up. But the songwriting is superficial and short on melodic hooks."

During 1989 The State supported the Eurythmics Australian tour. According to Australian musicologist, Ian McFarlane, "their future looked promising, but there was one vital ingredient required to make the push into the big time (i.e. a good frontman and songwriter)." The State members formed Southern Sons with American-born guitarist-vocalist, Jack Jones (a.k.a. Irwin Thomas), in 1989, who became their front man. Jones "had auditioned for the band previously but was considered too young."


Phil Buckle (vocals/guitar), Virgil Donati (drums/keyboards), Geoffrey Cain (bass), Peter Bowman (guitar)

''Responsible / Talk Mean'' 1988 RCA
''Real Love / Not My Life'' 1988 RCA
''So Lonely Now / Your Eyes'' 1989 RCA

'Elementary' 1989 RCA


The State (band) - Wikipedia

Sunday 14 January 2024


The Madmen were formed in Townsville in 1988 with the lineup of Tim Steward (vocals, guitar), Bruce Gardner (guitar, vocals), Tony Blades (drums) and Jeff Johnson (bass). In 1989, Cam Hurst replaced Johnson on bass guitar and Gardner departed. The Madmen toured Queensland numerous times, before relocating to Brisbane in 1989. The band released the following on vinyl: ''Almost Past Caring / That's O.K. With Me'' on grey vinyl (1988), the EP 'Thunderegg' (1989), ''Tower / End Of This Day″ (1989) and ''Cool Kinda Kid / Walking Through the Village'' (1990).  Recorded in Brisbane and Townsville studios, these records show a band in its infancy; they sound innocent, naive, fresh and young. The playing and singing weren't perfect, but the tracks were simple, direct, to-the-point energetic pop songs. When Hurst was replaced by Kellie Lloyd, the trio became pop/indie rock band Screamfeeder.


Tim Steward (vocals, guitar), Bruce Gardner (guitar, vocals), Tony Blades (drums), Jeff Johnson (bass), Cam Hurst (bass)

Almost Past Caring 


Cool Kinda Kid



The Madmen – Screamfeeder

Monday 1 January 2024



Henry Vihnyl (ex-Pelaco Bros) formed Millionaires in 1976 with longtime friend Nick Smith. The band was supposed to be the next big thing, but they were unfairly compared to Skyhooks and drew some criticism. They signed to Mushroom and released ''It's A Deal''. The band performed it on Countdown. The single flopped and they were unceremonially dumped by the label. They managed to record another single ''Please Don't Mention The Junta'' from a press of around 500 records but they didn't last much longer. After they disbanded Tim Brosnan would go on and join Paul Kelly & The Dots. Steve Leeson and Nick Smith would wind up in The Kevins and work with Joe Camilleri. 


Tim Brosnan (guitar), David Hicks (drums), Steve Leeson (bass), Carl Segnit (drums), Nick Smith (vocals), Henry Vynhal (violin, Rex Wailer (guitar) 

Saturday 23 December 2023


This Australian duo, built around a creative core of Tom Kristensen (guitar) and Madeleine King (vocals), formed in 1995 after both partners had experienced varying degrees of success in other bands. As Kristensen told the press, ''We were sitting in our lounge playing songs together when a friend suggested we should get out and do them in public.'' Writing principally in a melodic country blues vein, the group signed to MDS Records. In addition to Kristensen and King, the group featured other members Barry Turnbull (John Kennedy's Love Gone Wrong, Widdershins), David Orwell (Golden Rough), Mandy Pearson (Craven Fops, The Jackson Code) and Richard Boxhall with each participant playing at least three different instruments. This helped lend Kristensen’s songs a crisp, eclectic sound quite unlike anything in their genre. 

Their self-titled debut mini-album, produced by You Am I guitarist Tim Rogers, was voted album of the year by many Australian roots music critics. The album featured Amanda Brown (ex-Go Betweens) on violin and Chris Abrahams on keyboards. More albums followed: Fuel (1997), Jubilee Park (1999) and Greedy Hen (2002). The band held down a residency for several years at The Sandringham Hotel in Newtown and toured nationally. Mandy Pearson died in 2023.


Barry Turnbull (guitar/bass), David Orwell (pedal steel/guitar/bass), Madeleine King (vocals/harmonica/bass), Mandy Pearson (vocals/drums), Tom Kristensen (vocals/dobro/guitar), Richard Boxhall (guitar), 

Monday 18 December 2023


Smokestack Lightning was a blues band formed in Adelaide in the early 70s. The band was very popular in the local pub scene; most notably at The Eagle Hotel where they had a weekly residency. Their debut album was released in 1975 on the EMS label and coincided with their Muddy Waters support show at the Adelaide Festival Theatre. Smokestack Lightning supported many overseas blues bands including John Mayall, Freddy King, BB King and Hound Dog Taylor to name but a few. The band went through many lineup changes in their five-year tenure. They disbanded in 1978. 


Greg Baker (harmonica), Marty Honow (guitar/vocals), Andy Jennings (drums), John Selmer (sax/flute), Ron Tabuteau (guitar/vocals), Peter Tsounis (bass/vocals), Rod Venning (harmonica), Julie Charlton (vocals), Mark Cornwall (bass), Marty Honow (guitar/vocals), Peter Horsam (guitar), Bob Petchell (harmonica/sax), Sue Wylie (vocals) 

    Monday 11 December 2023


    Barry Greenwood was born in Melbourne. In the late 1950s he became an apprentice motor mechanic and was singing at the Diamond Creek Hotel. He met up with Ben E. Joyner (a guitarist in one of Melbourne's first rock n roll bands The Planets) in a milk bar in Bell St Heidelberg late one Friday night where he used to sing with his guitar and friends next to the coloured lights of the big carnival juke box (for lighting & atmosphere) after the dances and theatres had finished. He used to sing there for customers and bikies and have his friends there for support.

    Joyner gave him some guitar lessons and liked Greenwood's voice so much he asked him to join the band. Soon Greenwood was working at the best dance halls in the city. Jon Royce one of Melbourne’s top popular radio personalities (who would soon become Greenwood's manager) heard him and advised him to forsake the motor trade for singing, drama and dancing lessons and go solo. UK entertainer Tommy Steele was touring at the time (in 1960) and his manager Larry Parnes stated Greenwood was potentially the best singing teenager in the country. A huge compliment for the youngster. Johnny O'Keefe also saw his potential and invited him to appear on his TV show Six O'Clock Rock. Greenwood would become a regular on the show. O'Keefe also took him on tour to open the shows.

    Greenwood was picked up by the Astor label and recorded ''Remember Your Kissin'! / Sittin' On Top Of The World'' in 1960 backed by The Planets. The A side was written by his manager Jon Royce. Jon Royce managed to get him a longer contract with W&G Records where he recorded a few singles and an EP. As a bonus Greenwood's songwriting was starting to shine through as he recorded his own songs ''Lonely Am I'', ''I Found A New Romance'' and ''Little Angel''. 

    Greenwood appeared on many popular TV shows at the time including Dig We Must hosted by Bobby and Laurie. Greenwood would later receive private tuition and a lasting friendship at the Queensland Conservatorium of Music where he studied under the famous Australian operatic tenor Donald Smith OBE. During the journey of his singing career Greenwood sang at many festivals and concerts including the annual ''Italian Australian Festival'' where he appeared as the guest operatic tenor and was so well received, he was invited back again the following year. Of their own volition (without consulting him) they introduced him as ''The Australian Tenor'' a title that has stuck with him. This can be seen on YouTube ''Barry Greenwood Opera''. Barry still however sings and loves rockabilly. He became a Reverend in the Christian Church.


    ''Remember Your Kissin / Sittin' On Top Of The World 1960 Astor *Released as Barry and The Planets
    ''Lonely Am I / Betty Betty (Go Steady With Me)'' 1960 W&G
    ''I Found A New Romance / Little Angel'' 1961 W&G
    ''Little Girl In Blue / Baby I Love You 1961 W&G


    'It's Barry Greenwood' 1961 W&G


    Barry Greenwood

    Sunday 19 November 2023


    Lawrence Frank Allen was born in Melbourne on 09 March 1942 to Jack and Edna Allen. Having been a student of The Melbourne Banjo Club as a child and a self-taught guitar player - Laurie formed his first band in the mid 1950’s. On vocals and guitar, Allen called themselves The Three Jays with Jimmy Braggs on piano accordion and Johnny MacGaw on drums. He followed with stints in the Lories (c. 1958) and then the Roulettes (1958–59), a long-running Melbourne revue band. From 1959 to 1961, he was lead guitarist for Malcolm Arthur and the Knights, and in 1962 he was lead singer and organist of a previously instrumental group, the Blue Jays. The Blue Jays were picked up by the newly formed local label Crest Records. The first single ''Māori's Farewell'' was written by Allen as was the second single ''Wolfman''. Neither track charted and at the end of 1963, the Blue Jays became the Fabulous Blue Jays, the backing band for singer, Tony Worsley. Allen then rejoined the Roulettes. 

    Whilst in The Blue Jays, Laurie played the keyboard riffs on Colin Cook’s hit single ''Heart''. In 1964 Allen met former Adelaide singer Bobby Bright and they decided to form a duo. In the short time they were together (1964-66) they enjoyed significant success with a number of single releases. Their inaugural release, an Allen-penned foot-stomper called ''I Belong With You'' raced up the national charts and landed a few weeks at #9. Their 1966 version of Roger Miller's "Hitch Hiker" gave them a national #1 hit for five weeks in June remaining in the charts nationally for a further 12 weeks! On the strength of "Hitch Hiker", the ABC gave them their own TV show, It's a Gas, which was later re-branded as, Dig We Must. 

    After recording their last album 'Exposaic', the pair officially split on Christmas Eve of 1966. Soon after, Laurie put together a soul revue along the lines of the popular Stax and Motown acts. Originally called Dice, it was later renamed The Laurie Allen Revue, and its members included ex-Rondells Barry Rogers, Gary Young, Wayne Duncan, with guitarist Harry Herni (ex- The Harts) and backing singers Michele Kennedy and Colleen Hewett. Colleen’s sister Glynis later replaced Michele. In April 1967 Allen had told Go-Set: "I realized just a three-piece group couldn't give me the sound I wanted, so I added two girl vocalists, to give us a distinctive sound which can't be done by any Australian group". The Revue released three singles on the Festival label ''Beautiful Brown Eyes / Saved'' (Aug. '67), ''Any Little Bit / Cool Jerk'' (Apr. '68) and ''As Long As I Got You / Not Born To Follow'' (Jun. '68). Only Colleen and Michele can be heard on The Revue’s singles. They disbanded in 1968.

    Laurie reunited with his old mate Bobby Bright and they returned to the charts with their cover version of the country music song, "The Carroll County Accident". It was followed by "Looking Through the Eyes of Love", but they had split again by late 1971. Allen's first love was always country music and he eventually moved in that direction. Allen signed on with Col Joye's ATA label and released the singles ''Sunshine On Your Face'' (1972), ''I Belong With You'' (1975) and ''Musical Chairs'' (1976). During this period, he also recorded two albums with the label. Backed by The Joy Boys his first album 'Once Upon A Song' came out in 1972 with all the songs on the album self-written. His second album 'Any Other Man' was released in 1975 and included a few covers including a revamped version of the ''Carroll County Accident''. 

    A collaborative album 'Truck Stop' accompanied by label mates Col Joye, Bob Purtell and Jim Cooper was released in 1976 which had the who's who playing on the recording: Mick Hamilton from The Vibrants, Kenny Kitching on pedal steel, Errol Buddle on reeds and Bob Barnard on trumpet to name a few. In 1976 Bob Purtell won New Talent Of The Year at the Tamworth Golden Guitar Awards with the Laurie Allen written song ''Motivatin' Day''. Allen also played occasionally as a ‘guest’ with The Promised Band: Bernie O’Brien (ex-The Rondells) on vocals, lead guitar; Harold Frith (ex-Thunderbirds) on vocals and drums; Peter Hayes (The Hayes Brothers) on bass guitar, banjo and lead vocals; and Doug Wallace (Hayes Brothers Band) on rhythm guitar, dobro and fiddle. The Promised Band would eventually morph into Saltbush. 

    Allen would continue to record on Col Joye’s ATA label and in the 1980s occasionally perform with his old mate Bobby Bright, before they permanently reunited in the late 1990s, performing regularly on the club and rock'n'roll revival circuit and a last-ditch tour of Queensland and Northern Territory. The tour was very successful, but it took a toll on Laurie physically as he had suffered two broken legs from a horrendous motor accident a few years prior. In his last years Laurie Allen suffered chronic health problems but he largely kept this to himself. Bobby and Laurie were slated to take part in the Long Way To The Top concert tour, but these plans were dashed by Laurie's sudden death from a heart attack on June 13th. 2002 - just 12 days following his last performance with Bob Bright at Moorabbin Town Hall (June 1st. 2002).

    Some of Laurie Allen's recordings were donated to the NFSA by Col Joye where they are preserved for all time. In summary his contribution to Aussie music can't be denied. Col Joye, Johnny Mac, The Johnny Hawker Orchestra, Lionel Rose and many other Aussie vocalists recorded Laurie's songs. On hearing of his death, vocalist Colleen Hewett attributed her singing successes to her early work and ‘vocal tuition’ to Laurie (in The Revue). Laurie Allen was indeed an Australian Music legend.


    Wolf Man 

    with The Blue Jays


    Sunshine On Your Face


    I Belong With You


    Musical Chairs


    The Singo Song

    with Bob Purtell


    Once Upon A Song

    Any Other Man

    Truck Stop
    with Col Joye, Bob Purtell and Jim Cooper
    Rockabilly Beatin' Boogie Band
    with Nite Train
    One Last Round

    The Cowboy Album 



    Susie Gamble

    Sunday 29 October 2023


    Singer, songwriter and record producer Clive Young grew up in Melbourne. He was lead singer of synth rock band Talk That Walk that released one single ''Surface Tension / Harvest Time'' in 1987 on WEA. The single was also released in Germany. Not long after he left the band to commence a solo career. Picked up by True Tone Records he recorded a couple of singles ''Something Special / The Execution Of Understanding'' and ''Naturally / I Don't Need Your Loving Anymore'' in 1989. They were self-written and produced by Mi Sex guitarist Kevin Stanton. ''Something Special'' reached #50 on the ARIA charts. In 1992 he released his debut album 'When The World Goes 'Round'. A couple of more singles followed before Young moved to Nashville as a songwriter for a while. He returned to Australia in 2012 and settled back in Melbourne. 


    Something Special

    17 APR '89


    Wednesday 11 October 2023


    Scottish group, The Technicians, migrated to Brisbane in the 80s and had some chart success locally with their music releases through record labels Powderworks and Jade, and were published by MMA which was owned by rock outfit INXS. The band broke up in 1987 and mutated into Steeltown.


    Andy Richmond (vocals), Malcolm Platt, Kat Livingstone, Terry Gidman (drums)


    Hot for Love

    15 JUN '87


    Clockwork Clown



    Monday 2 October 2023


    Melbourne band The City Stompers was formed in 1966. The band were regulars playing at the Club 431 in St Kilda Rd and The Q Club in Kew. Over the next couple of years, they went through a few lineup changes finally settling with Ken Wood on vocals, Bernie Rachelle on guitar, Tony Whitty on keyboards, Paul Anderson on bass and Gary Dewar on drums. It was this lineup that recorded two singles on the Astor label ''Times Like This / Half Past Midnight'' in 1968 and ''Rainbow River Band / ?'' in 1969. 


    Ken Wood (vocals), Bernie Rachelle (guitar), Tony Whitty (keyboards), Paul Anderson (bass),
    Gary Dewar (drums), Frank Durant (drums), Peter ''Max'' Bilney (drums)


    ''Times Like This (#60) / Half Past Midnight'' 1968 Astor
    ''Rainbow River / ??'' 1969 Astor

    Thursday 31 August 2023


    The Gingerbreadmen (not to be confused with the Adelaide band led by Idris Jones) was formed in late 1966 in Melbourne by Brendan Hanley former member of the Moonshine Five with Bruce Woodley and The Brian Hanley Chicago Seven. Bassist Hamish Hughes had played with the John Hawes Jazz Band and appeared on three EPs with them. They appeared at the Garrison discotheque in Prahan and the famous Thumpin' Tum in inner city Melbourne and on TV show Uptight. They released one single on the Columbia label. The A side ''Rattler'' was written and produced by Hanley's old mate Bruce Woodley of The Seekers. The B side ''Gingerbread Man'' was written by Hanley. Hanley died in Byron Bay in 2017. Any more info on this short-lived band would be welcome.


    Brendan Hanley (vocals/guitar), Jamie Jackson, Hamish Hughes (bass), Peter Hocking (drums)


    ''Rattler / Gingerbread Man'' 1967 Columbia

    Tuesday 22 August 2023


    The Dymonds were formed in the 60s in Melbourne. The initial line up was Scottie Taylor on bass, Peter Waddell on vocals/Hammond organ and guitar, Tony Stumbles on drums, and big Pete "Stretch''? on guitar. They appeared on TV music shows Bandstand and Kommotion and were popular on the dance and discotheque circuit. The band also backed many artists including Lynne Randell, Tony Barber, Buddy England, Pat Carroll and Denise Drysdale. They performed at the Hoadley Battle of the Sounds on a number of occasions. During this period Graeme Hemphill replaced Stretch. Peter Waddell was one of the first guitarists in Australia to play a twin neck. 

    The band called it quits in late 1967 but reformed in 1968 with some lineup changes occurring. Les Taylor replaced Tony Stumbles on drums, Don Bailes replaced Scottie Taylor on bass and guitarist Richard Evans was added leaving Peter Waddell to concentrate solely on Hammond organ. In the same year they secured a record contract with Astor and released the single ''Anna J / Ice Cream Machine'' as The Dymond. The single went nowhere, and they broke up again. Waddell and Bailes would join The Paul McKay Sound.


    Peter Waddell (vocals/guitar/keyboards), Scottie Taylor (bass), Don Bailes (bass), Graeme Hemphill (guitar), Tony Stumbles (drums), Richard Evans (guitar), Pete ''Stretch''? (guitar), Les Taylor (drums)


    ''Anna J. / Ice Cream Machine'' 1968 Astor

    Thursday 10 August 2023


    Country and Western artist Johnny Heap was born in Geelong in 1941.During the 1950s he began playing guitar, entering talent quests and performing on local radio stations. By 1959 he was playing lead guitar, bass and singing in a rock band, The Teen Beats, but still appeared on radio and TV as a country artist. Heap reached the grand final of the Victorian Banjo Club Championships in 1960.

    Johnny Heap joined Rick and Thel Carey's touring show in 1962 and remained with them for four years. After he departed from the tour, he gained a residency at the famous Dodds Hotel in Cooma, with his band The Snowmen, which provided a welcome break from years of travelling on the road. The band worked Dodds until midnight then set up at the nearby Taboo Night Club to play until dawn. It was in Cooma that Johnny met and married his wife Val. An all-round entertainer he played bass, rhythm and lead guitar and sang. He could play the straight man in comedy routines as well as compere. 

    In 1966 he released his first EP on Hadley Records, and this followed by a split EP 'Great Friends in Country Music' in which Heap sang two songs and Eddie Tapp sang two. He rejoined the Rick and Thel Carey Show who had by then teamed up with Chad Morgan and undertook their first tour of WA. Whilst there he recorded a self-titled EP 'Introducing Johnny Heap' for Clarion with four tracks. In 1969 John & Val reckoned it was time to leave the road and settle down to raise a family. He worked as a vocalist and bass guitarist for seven years with Nev Nicholls' Country Playboys virtually from beginning to end of their famous Texas Tavern residency. He recorded with Nev and the Playboys on some of their releases.

    In 1972 he recorded the EP 'Carroll County Accident' with CM Records, Dubbo followed by an 
    album 'Sunday Afternoon and Country Music' on W&G. In 1980 he was inducted into the Hands of Fame, Tamworth. Johnny’s best-known album, 'The Hordern Tree', was released on Selection Records. Johnny moved to Tamworth and worked as an announcer on John Minson’s famous Hoedown radio program.

    In 1987 the EP 'Lonely Street' was released on the Bunyip label. It featured the track ''Four Kinds of Roses'', a tribute to Johnny’s four daughters. In 1990s Johnny moved to Melbourne and formed his own record label, Smoky, with his first CD, 'Lavender Blue and Other Love Songs'. He continued to tour and perform up until the early 2000s, when he retired from the stage. In 2014 Johnny was invited to record again by Paul Hazell from the UK, with assistance from the British Archive of CM. He put down four new tracks. These four new songs were released on the double CD, 'Retrospectfully Yours', a compilation of his earlier recordings.


    ''The Carroll County Accident / Dreaming That Your Teardrops Are For Me'' 1969 CM


    'Another Stretch Of Track' 1966 Hadley
    'Great Friends In Country Music' 1967 Hadley *split EP with Eddie Tapp
    'Introducing Johnny Heap' 1968 Clarion
    'Carrol County Accident' 1970 CM
    'Lonely Street' 1986 Bunyip


    'The Hordern Tree' [With Jan Kelly] 1982 Selection
    'Sunday Afternoon And Country Music' 1983 Bunyip
    'A Heap Of Country Music' 1985 R&H Studios
    'Lavender Blue And Other Love Songs' 



    Sunday 6 August 2023



    Thrust was a high energy rock band from the Gold Coast formed in 1982. The band evolved out of another Gold Coast band The Cursed. Originally a quartet they recorded a mini-LP 'Go Insane' on the Grown Up Wrong label in 1988 which impressed Californian hardcore punk bible Maximum Rock n Roll whose critics looked favourably on it. The band were also featured on the 'Hard To Beat' compilation with a cover of The Stooges ''Your Pretty Face Can Go To Hell''.

    Becoming a trio after the departure of guitarist Bill O'Donnell, the band recorded their second album 'Mindness' in 1989 which was produced by Radio Birdman's Rob Younger and The Hard Ons manager Tim Pittman. In the same year the band signed on for a capital city tour with The Hard Ons. Thrust played many venues on the Gold Coast like The Playroom, Surfers Paradise SLC. A third album 'Burnt Out' was released in the mid 90s.


    Brendon Creighton (vocals/drums) Theo Heming (guitar), Bill O'Donnell (guitar), David Finn (bass)

    Thursday 3 August 2023


    Uncle Bob’s Band (UBB) enjoyed a relatively brief but colourful history between 1974 - 1976 in Sydney and Melbourne. The bands lineup was rich in experience and talent: Tony Burkys, Bob McGowan and Terry Darmody had all been members of the Original Battersea Heroes. Keith Shadwick had been in Sun with Renee Geyer and John Taylor had played with Hot Rocket. 

    From its inception, the band was drawing crowds at inner city dances, catching the attention of 2JJ radio (which then became 2JJJ FM), becoming one of their go-to bands for live-to-air and other concerts, usually in support of major Australian bands of the day. Throughout 1975 and 1976, UBB were consistently drawing on a range of blues, jug, country and jazz swing as well as their own compositions to produce a distinct rock sound. This was demonstrated further through the band’s various guises at the Adventures in Paradise shows – utilizing 5 different band name "versions” of UBB such as “The Ordinaires”. McGowan even presented himself as the nude guitarist preempting Flea by decades. 

    Playing and living somewhere between Paddington and Dural N.S.W. took its toll and manager Steve Hill encouraged the band to move to Melbourne in 1976; where Dave Flett (Captain Matchbox Whoopee Band) recorded some excellent material, but a record deal was not forthcoming and the tapes themselves were scrubbed. The band imploded then Shadwick left for the UK leaving his own copies of all 1976 tapes with his brother Ian. After the demise of the band Tony Burkys would join Captain Matchbox Whoopie Band, Warwick Kennington, The Fabulous Zarsoff Brothers and John Taylor went on to Little Heroes. 

    In 2008 the band re-emerged with the album 'Unfinished Business', in memory of original sax player Keith Shadwick who died in the same year. A second album 'Now And Then' was recorded 2018, which marked the passing of Uncle Bob McGowan. In 2022 Ian Shadwick restored his brother’s tapes of the 1976 sessions; and 'Django Rock: 1976' was released as a 2 x CD on the ETT Imprint Pty Ltd label. The album was mastered by Dave Marett. 


    Tony Burkys (guitar, vocals), Bob McGowan (guitar, mandolin, vocals), Terry Darmody (vocals, harmonica), Warwick Kennington (drums, vocals), Keith Shadwick (sax, flute, vocals),
    John CJ Taylor (bass, vocals)


    John Taylor

    Wednesday 26 July 2023



    Toni and Royce were a singing duo from the 60s through to the 80s. Toni McCann (born Susan Hutson) recorded two singles in 1965 on the Sunshine label. For more info on her solo career click here. She met her future husband Royce Nicholls [Royce Nicholas] during the recording session of her single ''My Baby / No''. Royce was the bass player in the Fabulous Blue Jays that backed her on this recording. After she abandoned solo career and Nicholls departed the Fabulous Blue Jays, they subsequently formed a performing and writing duo and made several recordings in the 1960s for the CBS label. Their first single ''Buy Some Love / Look On'' was released in 1966 followed by ''Happiness Is Just A State Of Mind / On The Road'' (1967) and ''The Streets Are Not Deserted Now / Even I Can Hear The Grass Growing'' (1967). During this period, they married. 

    Toni and Royce toured England and Europe. Nonetheless, prior to their European sojourn, they toured Japan, playing Johnson Air force base and a variety of clubs. The tour came about after one of McCann’s former Sunshine stable mates, Frankie Davidson, pulled some strings and managed to secure the contract. In London UK in 1970 they recorded ''Here Comes The Day / The Sun Is Coming Out Again'' as Half Crown. The single was released in Belgium, France, Portugal, Spain and Switzerland but not in Australia. Whilst there they played in UK clubs and appeared at the Montreux Jazz Festival in Switzerland. Returning to Australia they recorded ''Fraser Island / Australia Revisited'' in 1971 under the name The Meeples on the M7 label. Toni and Royce were popular on the club and cabaret scene and toured Queensland Arts Council children’s programs around Australian schools for nine years. They eventually recorded under the name of Toni McRae and Royce Edwards and released three albums. Sadly, in later years Royce was stricken with multiple sclerosis and eventually had to move into a nursing home and died on 8 Sept 2013. He selflessly urged Toni to make a new life, they divorced, and Toni later remarried. Amazingly, in 2021, under the name Sue Collier she is now working as a prison chaplain. Toni has released an EP of Christian songs titled 'You Might Be The One'.


    ''Buy Some Love / Look On'' 1966 CBS
    ''Happiness Is A State Of Mind / On The Road'' 1967 CBS
    The Streets Are Not Deserted Now / Even I Can Hear The Grass Grow 1968 CBS
    ''Here Comes The Day / The Sun Is Coming Out Again'' 1979 Pirates *Recorded under the name Half Crown
    ''Fraser Island / Australia Revisited'' 1971 M7 * Recorded under the name The Meeples
    Fraser Island / Australia Revisited 1975 M7
    The Rainbow Serpent / The Tasmanian Devil Song 1984 Scorpion


    'The Dreamtime Show' 1975 M7
    'Wind In The Wattle' 1982 RCA *recorded under the name Toni McRae and Royce Edwards
    'The One That Got Away...And Other Unlikely Tales' 1987 Larrikin

    Wednesday 24 May 2023



    Rock And Roll Show was formed in 1972 in Perth. The band was very popular on the live music scene and played at all the major Perth venues. They also played in the regional centres of WA and conducted a tour to the eastern states. In 1974 they cut their first single ''Lover, Please / At The Hop'' on the Sunshine label. In 1976 they cut their second single ''Hey Rock And Roll / The King Of The Jive'' on the Clarion label. Both tracks were covers of English band Showaddywaddy. The band supported Chuck Berry on the Perth leg of his 1976 tour. The band went through many lineup changes during its tenure and sometimes had up to seven members. The band lasted until the early 80s. In 1993 they had a one off reunion.


    Peter White (Keyboards), Chris Conlon (drums), Graham Herbert (sax/flute/drums), 
    Greg Clarke (sax/trumpet) Ron Leask (guitar/sax), Gerry Smith (bass), Marty Warren (vocals), 
    Nigel Ridgway (drums), Tony Tyler (vocals/guitar), Nigel Van Ross, 

    Monday 27 March 2023


    Bob Bertles (born 1939) is an Australian jazz alto, tenor and baritone saxophonist and bandleader. A self-taught musician, Bertles in the late 1950s and early 60s was a member of the developing modern jazz scene that grew out of venues like the Mocambo in Newtown and the El Rocco Jazz Cellar in Sydney's Kings Cross. Active in clubs, on TV, as a session musician and on the pop-rock scene, he toured with Johnny O'Keefe and The Dee Jays between 1958 and 1963. Bertles led a quartet with Keith Barr and Brian Fagen and Barry Woods, which played at Melbourne's equivalent of Sydney's El Rocco, the Fat Black Pussycat in Toorak.

    In 1967 Bertles joined Sydney-based rock-soul band Max Merritt & The Meteors. Only weeks after joining, Bertles, Merritt and drummer Stewie Speer narrowly escaped death after their van collided head-on with a truck on the way to a country dance; all three were seriously injured and Bertles was left with a permanent limp. He recorded two albums with the band ' Max Merritt & The Meteors' (1970) and 'Stray Cats' (1971). In 1972, Bertles left the Meteors while in London, tired of the attitude of the band's manager. "But it all turned out fine for me," he stated, "Because the Nucleus thing came out of that." Four rewarding years followed in this British-based jazz-rock band led by the trumpeter and Miles Davis biographer Ian Carr.

    When Bertles returned to Sydney in 1976, he again landed on his feet, slotting into the Col Nolan Quartet for two years. In more recent years Bertles has toured Europe extensively, joined the orchestra for the Australian production of the stage musical Chicago, where he met his future wife, theatre performer Nancye Hayes.In addition to regular concerts, festivals, session work, and touring, Bertles' recent projects include recording and live performances with Sydney's renowned Ten Part Invention. He has released a few albums 'Misty Morning' (1980), 'You Must Believe In Spring' (1985), 'Rhythm of the Heart' (1995 nominated for best jazz album at the ARIA awards) 'Cool Beans' (1998) and 'Moonlight Saving Time' with Toni Lamond in 2000.


    Bob Bertles Moontrane 1979 Batjazz
    Misty Morning [with Paul McNamara] 1980 Battyman
    You Must Believe In Spring' 1985 Larrikin
    Rhythm Of The Heart 1995 Rufus
    Cool Beans 1998 Rufus
    Moonlight Saving Time [with Toni Lamond] ABC 2000


    Bob Bertles’ Meteor, Nucleus and Ten Part Quadruple Threat – AustralianJazz.net

    Wednesday 14 December 2022


    The Editions was formed in 1979 by drummer Fred Negro, guitarist John Durr and bass player Bryce Collie. Roslyn Deer was soon recruited as the vocalist after the original singer failed to show up at rehearsal. The band played at St Kilda's iconic Crystal Ballroom in the early 1980's, and other venues such as the Mt Erica Hotel, the Duke of York Hotel, The Anglers Club, and Matthew's Hall.

    The Editions did not define themselves by one musical style, running the gamut from country to punk with their unique attitude. Apart from performing weekly at pubs and music venues, the band were a popular attraction at house parties, halls and festivals. In late 1980, Roslyn left the band due to musical differences and was replaced by singer Sherine Abeyratne, who remained with The Editions until mid 1983.

    With the help of Paul Elliott (Polyester Records/Books) three EPs were released on cassette in 1981, 1982 and 1983, respectively titled 'Aggression', 'Obsession' and 'Recession', on the the band's own label Orgasm Records. Elly Mantzaris an art student graduate and performance artist had joined the lineup in 1981 and introduced synth and backing vocals to the band's sound. Sherine left The Editions mid 1983 to join Big Pig, and by the end of 1983 Bryce Collie departed and Fred Negro left to form punk rockers, I Spit on Your Gravy on vocals and drums.  The band continued with John and Elly and introduced new band members Ben Harmsen on bass and Wayne Tait on drums until the band disbanded in late 1984. John Durr would later become an award-winning producer.


    John Durr (guitar), Fred Negro (drums), Bryce Collie (bass), Rosalyn Deer (vocals), 
    Sherine Aberyatne (vocals), Elly Mantzaris (synthesizer/vocals), Ben Harmsen (bass), 
    Wayne Tait (drums)


    Punk a Photographic Journey The History of the Melbourne Punk Scene (punkjourney.com)