On ANZAC Day (25 April) 1992, Dirty Three played their first gig—at the Baker's Arms Hotel, Richmond. At the trio's first live show, Ellis attached a guitar pick-up to his violin with a rubber band, providing the instrument with a distorted, feedback-drenched tone unlike the violin's more traditional sound. In 1992, they recorded a self-titled cassette of 12-tracks in Turner's bedroom (aka Scuzz Studio). Dirty Three played all over Melbourne inner city; followed by the suburbs—Abbotsford, then Fitzroy, Richmond and St. Kilda. In 1993 copies of the Dirty Three cassette were given away at their early gigs. During 1994 they were the support act for international groups Pavement, Beastie Boys and John Spencer Blues Explosion. In July that year, Torn & Frayed Records issued the band's eponymous album. According to Australian rock music historian Ian McFarlane, it was "brimming with Ellis's alternately subtle and dramatic violin flourishes, Turner's tensile guitar lines and White's sympathetic drumming, and was a strong introduction to the band's atmospheric musical palate".
Dirty Three are my favourite live band. No contest ... I think it's because they don't have a singer ... There are three musicians working together, one no less important than the other and well, you can get lost in all that. Their music washes over you and you're away ... When I watch them, they ignite something, I start having grand plans and hundreds of lyrics leap into my head. –Nick Cave quoted in 100 Best Australian Albums (2010).
In November 1994 their next album, 'Sad & Dangerous', was issued on the Poon Village label and included tracks from the trio's earlier cassette. The album, along with subsequent tours with Sonic Youth, John Cale, and Pavement, led to a record deal with Chicago's Touch and Go Records. In March 1995 the group started a United States tour with a gig in San Francisco. In May they performed at the Music West Festival in Vancouver, Canada. Subsequently that year they toured the US four times, then toured Europe with gigs in Greece, Germany and the United Kingdom. They toured Israel with Nick Cave and the Bad Seeds, then back in London in August they performed with Cave – who was also a participant on the Palace project – providing a live soundtrack for the Carl Dreyer silent film The Passion of Joan of Arc, at the National Film Theatre.
They performed at the Big Day Out series of concerts in January 1996 – for the Melbourne show they were joined on stage by Cave. Later in 1996 they toured the US again; one of the shows was at Maxwell's, New Jersey. In September that year they issued their next album, 'Horse Stories', which was voted by Rolling Stone magazine as one of the top three albums of the year. In March 1998 the band issued 'Ocean Songs', which Billboard 's Chris Morris felt was "an unexpected new direction" where "the sound is still brazenly live, the atmosphere is generally rapturous and lyrical, instead of explosive and febrile". The album peaked in the top 50 on the ARIA Albums Chart. In October 2010 'Ocean Songs' was listed in the book 100 Best Australian Albums. It was described as displaying "an Australian sound that had never been heard before, one that was aware of our vast landscape but was reared in the urban landscapes of our various inner-city underground scenes". In May 1998 they started a two-month US tour. The group provided five new tracks for the soundtrack of John Curran's debut feature film Praise (1998).
In March 2000 Dirty Three released another studio album, 'Whatever You Love, You Are' which McFarlane found showed "deep, rich, emotional musical vistas, and furthered the band’s connection to the music and approach of jazz great John Coltrane". In 2002, Dirty Three toured Taiwan together with US indie rocker Chan Marshall (aka Cat Power) and both artists returned in 2004. Also in 2004, they gigged at the Meredith Music Festival where a rainstorm threatened their set, Ellis later remembered "we just went out and played like our lives depended on it ... and you all went for it; otherwise, it just fell to pieces". In late 2005, Dirty Three released their seventh major album, 'Cinder'. Although following in the spirit of 'Ocean Songs', it diverges from their previous works: it was their first album to feature vocals (from Marshall and from Sally Timms of The Mekons), albeit on two of nineteen tracks. Its tracks are generally shorter and more concise; and instead of their usual live-in-the-studio technique they recorded each member's work individually.
In 2006 they toured Malaysia, Hong Kong, China and Taiwan. In May 2007 the band curated a weekend of the All Tomorrow's Parties festival, booking bands they admired in addition to performing twice themselves. In November they issued a two-disk DVD set, The Dirty Three; the first disc shows a live concert from Tokyo, Japan, shot in HD by Taiyo Films, and the second disc contains various live performances from 1994 to 2006, a documentary and interviews. Film director Darcy Maine completed the documentary on the band's history. In February 2012 the group released 'Toward the Low Sun', and in March, they performed at the Sydney Opera House. The album peaked in the top 40 on the ARIA Albums Chart and appeared in the top 50 on Billboard 's Top Heatseekers Chart.
Members
Warren Ellis (violin), Mick Turner (guitar), Jim White (drums)
References
http://en.wikipedia.org/wiki/Dirty_Three
http://en.wikipedia.org/wiki/Dirty_Three
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