In 1956, television arrived in Australia and brought this era to a close. Bruce moved into film and television music production and composition. He established his own studios and production company The Jingle Workshop in 1957. He wrote and directed over 3000 television and film soundtracks for local and overseas producers between 1957 and 1974, some including vocalist Helen Reddy. As well as guitar he made extensive use of electronics, including the Moog synthesizer.
During this period, he continued to perform and release many singles and albums. He accepted a commission to realise the first major Australian electronic work for the 1968 Adelaide Arts Festival, and conducted performances in Melbourne of works by 20th-century composers Stockhausen, Berio and Webern. He toured Europe as guitarist with composer Felix Werder's Australia Felix Ensemble. He also appeared with the ABC orchestras under the batons of Sir John Barbirolli, Charles Mackerras, John Hopkins and others. In 1981 he played second guitar to John Williams with the Melbourne Symphony Orchestra in André Previn's "Concerto For Guitar And Orchestra".
In 1974 Bruce moved into the realm of teaching. Phasing out his commercial activities he accepted a position on the music board of the Australia Council and became Kenneth Myer Music Fellow to the Victoria Institute of Colleges - two positions which made him very aware of the need for more realistic approaches to the problems of students wishing to find a role in the world of "non-classical" music. With this in mind, in 1977 he instigated the Jazz Studies program at the Victorian College of the Arts, followed by the establishment of his "Guitar Workshop". In subsequent years he hosted many teaching clinics with visiting "guitar greats" including Joe Pass, Ike Isaacs, Ted Dunbar, Barney Kessel, Herb Ellis, Charlie Byrd, Martin Taylor, Emily Remler, and George Golla.
During the late seventies Bruce taught guitar using the Berklee method books and his own pre-recorded cassette tapes. His technique emphasised tone and quality of the guitar. His past guitar students include Mick Harvey (The Birthday Party, Nick Cave and The Bad Seeds), Robert Goodge (I'm Talking, Essendon Airport), Pierre Jaquinot (The Armchairs, The Slaughtermen), Laszlo Sirsom (sirsom.wix.com), Mark Cally, Anne McCue (Girl Monstar), Doug de Vries, Dominic Kiernan, Barry Morton, and Andrew Pendlebury (The Sports).
Clarke also founded Cumquat Records to issue recordings of Australian jazz from the 1950s onwards. From his catalogue of recorded works the author quoted his collaboration with George Golla on 'In Memory Of Charlie Christian' as his favourite. Bruce Clarke worked with Frank Sinatra and recorded with him on his tour of Australia, and also worked with Mel Torme, Dizzy Gillespie, Stephane Grappelli, Stan Getz, and legendary guitarist John Collins (by whom he was greatly influenced), amongst many other world class musicians. Bruce Clarke died on Thursday 24 July 2008.
During this period, he continued to perform and release many singles and albums. He accepted a commission to realise the first major Australian electronic work for the 1968 Adelaide Arts Festival, and conducted performances in Melbourne of works by 20th-century composers Stockhausen, Berio and Webern. He toured Europe as guitarist with composer Felix Werder's Australia Felix Ensemble. He also appeared with the ABC orchestras under the batons of Sir John Barbirolli, Charles Mackerras, John Hopkins and others. In 1981 he played second guitar to John Williams with the Melbourne Symphony Orchestra in André Previn's "Concerto For Guitar And Orchestra".
In 1974 Bruce moved into the realm of teaching. Phasing out his commercial activities he accepted a position on the music board of the Australia Council and became Kenneth Myer Music Fellow to the Victoria Institute of Colleges - two positions which made him very aware of the need for more realistic approaches to the problems of students wishing to find a role in the world of "non-classical" music. With this in mind, in 1977 he instigated the Jazz Studies program at the Victorian College of the Arts, followed by the establishment of his "Guitar Workshop". In subsequent years he hosted many teaching clinics with visiting "guitar greats" including Joe Pass, Ike Isaacs, Ted Dunbar, Barney Kessel, Herb Ellis, Charlie Byrd, Martin Taylor, Emily Remler, and George Golla.
During the late seventies Bruce taught guitar using the Berklee method books and his own pre-recorded cassette tapes. His technique emphasised tone and quality of the guitar. His past guitar students include Mick Harvey (The Birthday Party, Nick Cave and The Bad Seeds), Robert Goodge (I'm Talking, Essendon Airport), Pierre Jaquinot (The Armchairs, The Slaughtermen), Laszlo Sirsom (sirsom.wix.com), Mark Cally, Anne McCue (Girl Monstar), Doug de Vries, Dominic Kiernan, Barry Morton, and Andrew Pendlebury (The Sports).
Clarke also founded Cumquat Records to issue recordings of Australian jazz from the 1950s onwards. From his catalogue of recorded works the author quoted his collaboration with George Golla on 'In Memory Of Charlie Christian' as his favourite. Bruce Clarke worked with Frank Sinatra and recorded with him on his tour of Australia, and also worked with Mel Torme, Dizzy Gillespie, Stephane Grappelli, Stan Getz, and legendary guitarist John Collins (by whom he was greatly influenced), amongst many other world class musicians. Bruce Clarke died on Thursday 24 July 2008.
SINGLES
''Apple Honey / Blue Moon'' 1949 Jazzart''Blue Moon / Dance Of The Kordies'' 1952 Jazzart
''Forty Miles Of Bad Road / Bongo Rock'' 1959 W&G
''Tweet Tweet Beat / Bone Dome'' 1959 W&G
''At The Woodchopper's Ball / Sleep Walk'' 1959 W&G
''Rockin' Like Wow / Rock Crushers'' 1959 W&G
''Sugar Blues / Golden Wedding (Rock)'' 1960 W&G
''Happy Ankles (Kayser Theme) / The Flip Side'' 1962 Pye
''How High The Moon'' 1963 W&G
''Barley Charlie Theme / Stella By Starlight'' 1964 W&G''At The Woodchopper's Ball / Sleep Walk'' 1959 W&G
''Rockin' Like Wow / Rock Crushers'' 1959 W&G
''Sugar Blues / Golden Wedding (Rock)'' 1960 W&G
''Happy Ankles (Kayser Theme) / The Flip Side'' 1962 Pye
''How High The Moon'' 1963 W&G
''Baroque, Schlock & Barrel - III / Baroque, Schlock & Barrel - I'' [with Maryan Kenyon] 1972 Cumquat
ALBUMS
'Evergreen Rhythm' 1952 Spotlight
'Rhythm-Airs' 1952 Spotlight
'Songs Of World War II' 1956 Planet
'Songs Of World War II' 1956 Planet
'Vichyssoise' [with Maryan Kenyon] 1972 Cumquat
'Lookin' Back (Or Remember What Jazz Was Like? When You Could Whistle It)' 1973 Cumquat
'Stratusphunk' 1974 Cumquat'In Memory Of Charlie Christian' 1980 Ode
'Soft Winds' 1990 ABC
'The Indispensable Mood Music Library' Bruce Clarke's Recording and Creative Services Pty Ltd
References
https://en.wikipedia.org/wiki/Bruce_Clarke_(musician)
References
https://en.wikipedia.org/wiki/Bruce_Clarke_(musician)
My dad Dick Healey worked with Bruce at the Jingle Workshop
ReplyDeleteAnd in the Australian Jazz Quintet
Awesome. AJQ worked in Canada for a time
DeleteHello, I am writing to you from the National Film and Sound Archive of Australia. I am trying to get in touch with the rights holder(s) of a sound recording by Bruce Clarke that we hold in our collection called ‘Midnight in Martin Place’, track 5 from the album THE INDISPENSABLE MUSIC LIBRARY. VOLUME 2, WEIRD ATMOSPHERE. The sound recording was published in 1971 by Bruce Clarke under Bruce Clarke's Recording and Creative Services Pty Ltd, who later established Cumquat Records. Would you have any information on who may be the rights holder for his works? I thought to comment on this blog even though it may be a longshot. If you do have any info, I can be contacted via email at Sandra.liu@nfsa.gov.au or by phone on (02) 8202 0143. Best regards, Sandra
ReplyDelete