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Showing posts sorted by relevance for query rockwell t. james. Sort by date Show all posts
Showing posts sorted by relevance for query rockwell t. james. Sort by date Show all posts

Tuesday, 15 October 2013

ROCKWELL T JAMES / RONNIE PEEL




Ronald Robert Peel (born in 1946) began his career in music in the early 1960s as bass guitarist for Port Macquarie surf band the Mystics. In early 1964 Peel on bass guitar and harmonica and Mystics' lead guitarist Dave Boyne joined the Missing Links. The band members were known for their long unruly hair, destructive stage performances and pioneered the use of audio feedback and reverse tape effects in Australia. They had regular performances in Sydney and released a single, "We 2 Should Live" on Parlophone in March 1965; Peel had left by June.

Peel joined former Brisbane R&B band the Pleazers in mid-1965 in Sydney. With a New Zealand recording contract and a club residency, they soon relocated to Auckland where the group released hit singles and developed significant local following. Peel left the band in late 1966 and returned to Australia. Early in 1967 he briefly joined Ray Brown & the New Whispers on bass guitar, which became Ray Brown Three in mid-year.

Late in 1967 Peel launched his solo career under the pseudonym Rockwell T. James. His backing band the Rhythm Aces consisted of Lance Dixon on organ, Roger Felice-Andrews on drums (ex-Marty Rhone and the Soul Agents), Mike Freeman on trumpet, Ron Freeman on saxophone and Les Stacpool on guitar (ex-Chessmen, Merv Benton and the Tamlas). The ensemble released a single "Love Power" (1968) via Festival Records, which peaked at #52 on the Kent Music Report (retro-calculated) singles chart. Peel and the Rhythm Aces performed at Sydney's Whisky A Go Go and they also travelled to Melbourne for a series of gigs at Berties.

Peel relocated to the United Kingdom in 1970 and briefly joined Thunderclap Newman together with bandmate Felice-Andrews. That band broke up in April 1971 and he returned to Australia later that year. On bass guitar he joined One Ton Gypsy, an eight-piece jazz rock supergroup, led by former bandmate Ray Brown. Other members variously included Chrissy Amphlett on vocals, Wayne Bennett on drums, Dave Fookes on drums and keyboards, Danny Gordon on backing vocals, Graham Lowndes on vocals and guitar, Alison MacCallum on vocals, Peter Martin on guitar, Dallas McDermott on bass guitar, Ray Oliver on guitar, Margret Piper on backing vocals, Tim Piper on guitar, Laurie Pryor on drums, Ray Rivamonte on piano, guitar and vocals, Linsday Wells on guitar and Paul Wyld on keyboards. Peel left in 1972 and One Ton Gypsy disbanded in 1973, without recording any material, due to maintenance costs for the extended line-up.

Peel on bass guitar and vocals was approached in late 1972 by R&B, boogie New Zealand group the La De Da's' founder Kevin Borich (guitar and vocals) and Keith Barber (drums) to rebuild the band as a trio. The reformed group released several recordings. In July 1973 the band's equipment truck was involved in a serious collision on the Hume Highway near Holbrook – both Peel and their roadie John Brewster were hospitalised and the group's gear was destroyed. Although the group were a top concert attraction, in early 1975 Borich decided to disband the group. Peel and Borich had joined vocalist Stevie Wright's Allstar Band in 1974 together with Johnny Dick on drums and Warren Morgan on keyboards (both ex-Billy Thorpe and the Aztecs).

In 1975 pop singer John Paul Young achieved his first Australian top 10 single with "Yesterday's Hero". To promote "Yesterday's Hero" and its allied album 'Hero' he used the All Stars. The line-up included Peel on bass guitar from 1975 to 1979, Borich on guitar (1975–1976), Dick on drums (1975–1984) and Morgan on piano (1975, 1977–1984). He was recorded on Young's albums 'J.P.Y.' (1976) and 'Green' 1977). Thereafter Peel periodically returned to Young's backing bands throughout his career.

During 1976–1979 Peel resurrected his Rockwell T. James persona to release further singles and a solo album, 'A Shot of Rhythm and Blues' (October 1977) on Razzle Records/Festival Records. Besides Peel on bass guitar, lead vocals, rhythm and acoustic guitars and harmonica, session musicians for the album were Sherbet members Harvey James on lead guitar, Tony Mitchell on lead guitar, Garth Porter on acoustic guitar and backing vocals and Alan Sandow on drums. The album was produced by Peel, Porter and Richard Lush. His most successful solo single "Roxanne" was co-written by Peel with Porter and Mitchell. It reached #39 on the Kent Music Report top 100 singles chart. "Rollin' On" (1978) was issued as a single and both its tracks were added to the album, which was re-issued in that year as 'Rollin' On'. Peel had co-written "Rock Me Gently" (October 1976) for Sherbet with Mitchell, Porter, Sandow and Sherbet member Daryl Braithwaite, which reached #6 for that group.

Between gigs with the All Stars, Peel also performed with Scattered Aces during 1983 to 1984, with Paul DeMarco (a.k.a. Fred Zeppelin) on drums, Chris Turner on guitar and Peter Wells on guitar. The group issued a six-track extended play, 'Six Pack', on Big Rock Records in April 1984. They followed with a cover version of Eddie Cochran's 1958 song, "C'mon Everybody", as a single but they had broken up by mid-1984. He worked with DeMarco, Turner and Wells again in Slightly Shadey in 1987. In 2013 he formed duo the Rockwells with Bobby Fletcher. They released an album 'Cover Story' in 2015. As of 2017 Peel and Fletcher were also members of Redback with Morgan on keyboards, Les Gully on drums and Grahame Perkins on bass guitar. Peel died on 1 November 2020 of an unspecified cancer. His funeral was held on 10 November and broadcast on-line due to COVID-19 restrictions limiting attendance.




SINGLES
''Love Power (#52) / New Orleans Funk'' 1968 Festival
''Come On Home (A Song For Anna) (#55) / Belinda'' 1976 Infinity
''Roxanne (#39) / Hey Mama'' 1976 Infinity
''That'll Be The Day / 12 Bar Superman'' 1977 Razzle
''Lady Blue / Let It Go'' 1977 Razzle
''Rollin' On / She's On My Mind'' 1978 Razzle 

ALBUMS
'A Shot Of Rhythm & Blues' 1977 Razzle




References

Ronnie Peel - Wikipedia

http://top100singles.blogspot.com.au/

Friday, 6 February 2015

PETER WELLS


Peter William Wells, was born on 31 December 1946. In 1966 he was the bass guitarist of The Odd Colours with Ronnie Hausert, Steve Jones, Eddy Staarink, and Dave Tice on lead vocals. His next group was Strange Brew (1966–67) with Tice and Ray Frost. In Brisbane in 1968 Wells, Jones on drums, and Tice formed a blues band, Head (1968–71), with Neil Jensen on guitar and Peter Leighton. Wells, as a member of Head, had moved to Sydney. In early 1971 Jones was replaced in the group by Paul Balbi on drums and Jensen made way for John Baxter on guitar.

In August 1971 Wells, Balbi, Baxter and Tice were joined by Alan Milano on co-lead vocals (ex-Mandala) to form Buffalo as a heavy rock group. Australian musicologist, Ian McFarlane, describes Buffalo as "one of Australia's pioneering heavy rock outfits alongside Billy Thorpe and the Aztecs and Blackfeather, Buffalo was one of the loudest and heaviest bands of the day". Wells remained with Buffalo for their albums, 'Dead Forever' (June 1972), 'Volcanic Rock' (July 1973), 'Only Want You for Your Body' (June 1974) and 'Mother's Choice' (March 1976). He also appeared on three tracks of their posthumous album, 'Average Rock 'n' Roller' (July 1977). As a member of Buffalo Wells co-wrote the album tracks: "Leader" (1972), "Pound of Flesh" (1973), "On My Way" and "Essukay" (both 1976).

In 1976, Wells, initially on bass guitar, formed another hard rock band, Rose Tattoo, with Leigh Johnston on rhythm guitar, Tony Lake on lead vocals and Michael Vandersluys on drums. They were soon joined by Ian Rilen on bass guitar so that Wells could focus on slide guitar. According to Australian rock music journalist, Ed Nimmervoll, Wells had "decided to form the band that became Rose Tattoo, decided on their style of boogie and blues music, and their street look, united by their tattooed bodies". Further line-up changes resulted in Lake being replaced by Angry Anderson on lead vocals, Mick Cocks taking over from Johnston on rhythm guitar, and in 1977 Dallas Royall substituting for Vandersluys on drums. Their "peerless, street-level heavy blues with the emphasis on slide guitar" style had developed a strong following leading to Albert Productions offering them a record contract.

Their debut single, "Bad Boy for Love" (October 1977), became a top 20 hit on the Kent Music Report. In November of the next year their self-titled debut album established their reputation with production by Alberts' in-house producers, George Young and Harry Vanda, formerly of The Easybeats. Rilen left the band to be replaced by former Buster Brown bass guitarist, Geordie Leach. After the release of their second album, 'Assault and Battery' (September 1981), the group embarked on an international tour. They were the loudest band to play at the Marquee Club in London since Led Zeppelin. Upon their return to Australia Robin Riley replaced Cocks on guitar. After the release of their third album 'Scarred for Life' (November 1982), the band supported Aerosmith and then ZZ Top for several dates while on a three-month tour of North America. Wells, Riley and Royall all left Rose Tattoo in early 1983. For Rose Tattoo, Wells co-wrote at least 17 tracks, including the single, "One of the Boys" (1978).

In August 1983 Wells, on guitar, formed Scattered Aces (styled as $cattered Aces) with Paul De Marco aka Fred Zeppelin on drums (ex-Chris Turner Band); Ronnie Peel aka Rockwell T. James on bass guitar and lead vocals (ex-The Missing Links, Pleazers, Rockwell T. James & the Rhythm Aces, The La De Das, John Paul Young & the All Stars, Cheetah); and former Buffalo band mate, Chris Turner, on guitar and vocals (ex-Drain, Buffalo, Rockwell T. James & the Rhythm Aces). The group issued a six-track EP, 'Six Pack', on Big Rock Records in April 1984. They followed with a cover version of Eddie Cochran's 1958 song, "C'mon Everybody", as a single but they had broken up by mid-1984.

In November 1984 Wells established Illustrated Men, with former Rose Tattoo members, Cocks on guitar (ex-Heaven by then), Leach on bass guitar, Rilen on lead vocals (X), and Royall on drums. The group "played loud, barnstorming rock'n'roll" but was "designed to be a short-term touring venture". They toured into 1985 performing material largely written by Rilen before disbanding.

Wells and Leach (aka Fast Eddie) joined a blues group, Lucy De Soto Band, with De Soto (aka Patricia Anne Clements) on lead vocals, piano and Hammond organ (ex-Living Daylights, Fat Time); and Ross Mercer on drums. Their debut album, 'Three Girls and a Sailor', appeared in 1985. They followed with a second album, 'Help Me Rhonda, My Boyfriend's Back', in August of the next year. By that time the lineup was Wells, De Soto, Leach and Charlie Watts on drums. For the next three years, Wells and De Soto, lived "in the foothills behind the Gold Coast in semi-retirement".

Wells, De Marco, Peel and Turner briefly performed as Slightly Shadey in 1987. In January 1990 Wells and De Soto established another group, Heart Attack, with Cocks, De Marco and Mick Strutt on bass guitar. In March they supported Hitmen DTK on a national tour, Kathryn Whitfield of The Canberra Times noted that Heart Attack "consists of well-known Australian musicians who simply refuse to take holidays (or in some cases, retire)" and Wells "takes centre stage also assuming the role of vocalist"

By mid-1990 Wells began recording his debut solo album, 'Everything You Like Tries to Kill You' (late 1990), which "gave full vent to Wells' wry, sardonic worldview". Wells and De Soto co-wrote eight of ten tracks. Wells supplied banjo, dobro, guitars (lead, acoustic, bass, electric, slide and steel), harmonica and lead vocals; while De Soto provided keyboards, organ (Hammond), percussion, piano, and both lead and background vocals.

They used session musicians including Stuart Fraser on guitars, drums and vocals (from Noiseworks); Jim Hilbun on backing vocals (from The Angels); Mark Meyer on drums (ex-Richard Clapton Band, Moving Pictures, Mark Gillespie Band); Ted Pepper on saxophone; and Jon Stevens on backing vocals (from Noiseworks). It was produced by Fraser, Stevens and Kevin Shirley (Lime Spiders) for the Big Stars label and distributed by Mushroom Records. According to McFarlane the album had "mixed country, bluesy boogies and laid-back rock'n'roll".

To support the release Wells and De Soto formed the Pete Wells Band in 1991 but "played raunchy, traditional Aussie pub rock". The early line-up included Wells on guitar, slide guitar and lead vocals; De Soto on piano, keyboards and backing vocals; Warwick Fraser on drums (ex-Feather, The Screaming Tribesmen); Tim Gaze on lead guitar (ex-Tamam Shud, Kahvas Jute, Ariel, Rose Tattoo); and Michael Vidale on bass guitar (ex-Jimmy and the Boys). In September that year Wells produced the debut album, 'Nightstreet', by AOR band, Roxus. It peaked at #5 on the ARIA Albums Chart.

His second solo album, 'The Meaning of Life', appeared in July of the following year, which was "more straight-up rock'n'blues". It was co-produced by Fraser and Stevens. In the studio he used De Soto, Gaze and Strutt with Bernie Bremond on saxophone (ex-Johnny Diesel and the Injectors) and Scott Johnson on drums (ex-Jimmy and the Boys, Rose Tattoo).

Wells also worked on side projects including Rocks Push with Turner and Rob Grosser. Early in 1993 Wells rejoined Rose Tattoo with the line-up of Anderson, Cocks and Leach adding De Marco as their new drummer. During the brief reunion they supported two gigs by United States group, Guns N' Roses, on the Australian leg of their Use Your Illusion Tour. Rose Tattoo also played solo shows on their own pub tour. In 1994 Hillbilly Moon formed with Wells on lead vocals, lead and bass guitars; Cletis Carr on the same instruments; and Paul Norton on the same instruments plus drums. They issued an album, 'Volume One', in that year on Pelican Records.

His third solo album, 'No Hard Feelings', appeared in June 1993 and was recorded with De Soto, Bremond, De Marco and Leach. It was co-produced by Wells and De Soto for ATI Records and Mushroom Records. In August that year it was followed by a four-track EP, 'Hard Done by You', co-credited to Peter Wells, Dave Steel (ex-Weddings Parties Anything), Bob Armstrong. In late 1994 Wells and De Soto reactivated Pete Wells Band with Turner and were joined by Mark Evans on bass guitar (ex-AC/DC, Finch, Heaven) and Mick O'Shea on drums (ex-Swanee, Judge Mercy). In the next year the line-up with Wells and De Soto were Cocks, De Marco and Andy Cichon on bass guitar (ex-Rose Tattoo, James Reyne Band, Judge Mercy). Wells issued his fourth solo album, 'Orphans', in June that year, which was co-produced by Wells and De Soto.

Wells and De Soto travelled to Germany to work with a studio band, Romeo Dog, which recorded a self-titled album. Fellow musicians were Cichon, O'Shea and Andy Anderson on lead vocals. The album appeared in 1996, McFarlane noted that their sound "mixed raucous bar-room blues with hard rock grunt". Before its release Wells and De Soto had returned to Australia and, in Melbourne, worked with an R&B outfit, Blues Hangover, which included Ken Farmer on drums; Dave Hogan on vocals and harmonica; and Nigel Rough guitar (all from The Paramount Trio); plus John Stax on bass guitar (ex-The Pretty Things). They issued their self-titled album in 1995 and a second album, 'Roadrunner', in the next year both on the Dog Meat label. McFarlane felt the releases showed a "passionate, gritty brand of R&B".

In 1996 Wells and De Soto recruited Tim Hemensley on bass guitar and Timmy Jack Ray on drums (both from Powder Monkeys) to fill out another version of Pete Wells Band. They recorded an album, 'Go Ahead Call the Cops', which was produced by the band and issued in October that year on Dog Meat and Shock Records. During 1998 and the following year, Wells toured in Rose Tattoo as well as working on his solo material.

His next album, 'Its All Fun & Games 'til Somebody Gets Hurt', appeared in February 1999, which was produced by Wells and De Soto. McFarlane felt was "another rough’n’tumble collection of blues’n’boogie bar band rock". In November that year he contributed to De Soto's next album, 'Take this Veil', which was issued on the Full Moon label. Wells and De Soto worked on another Pete Wells Band album,' Hateball' (2000), before Wells teamed with Angry Anderson to release Damn Fine Band in 2001. Pete Wells Band issued their next album, 'Solo' in the following February on MGM. Also in July year Rose Tattoo, with Wells aboard, released a reunion album, 'Pain'.

In 2004 Wells and De Soto formed Lucy De Soto and the Handsome Devils which focused on blues with Wells on slide guitar, De Soto on lead vocals and piano, and Grosser on drums. They issued a self-titled album in that year and soon followed with two more albums, 'Low Down and Travelling' and 'Whiskey Dance'. In September 2004 the Pete Wells Band issued their next album, 'Mother's Worry'. Wells died of prostate cancer on 27 March 2006, although another solo album, 'Greetings from the Aloha Monke'y, appeared in May that year. Another posthumous album, 'Bodgie Dada' (April 2008), had been recorded by Wells, De Soto and Grosser in December 2005.




SINGLES
''Between The Saddle And The Ground / Pirate Song'' 1990 Big Stars! 
''Darling, Please Don't Fight With Me / Something For The Rabbit'' 1991 Big Stars! 
''Meaning Of Life'' 1992 Big Stars!
''Crisis Point Casino'' 1995 Ravenswood

EPs
'Hard Done By You' [with Dave Steel, Bob Armstrong] 1993 Ravenswood 

ALBUMS
'Everything You Like Tries to Kill You' (#91) 1990 Big Stars! 
'The Meaning of Life' 1992 Big Stars! 
'No Hard Feelings' 1993 Mushroom 
'Orphans' 1994 Ravenwood 
'Go Ahead, Call the Cops' 1996 Dog Meat
'It's All Fun & Games 'Till Somebody Gets Hurt' 1999 Pack 0'20 Records —
'Angry Anderson Pete Wells & The Damn Fine Band' [with Angry Anderson] 2001 Angry Anderson & Pete Wells
'Solo' 2001 Pack 0'20 Records
'Mothers Worry' 2005 Pack 0'20 Records
'Greetings from the Aloha Monkey' 2006
'Bodgie Dada' 2008 Peter Wells




References

http://en.wikipedia.org/wiki/Peter_Wells_%28guitarist%29


Sunday, 8 September 2013

JAMES TAYLOR MOVE


Adelaide band John E Broome and The Handels so impressed Ken Pitt (who was the manager for both Manfred Mann and the Animals) that in 1965, they were summoned to London to play a season at the famous Marquee Club. Three of the members (Kevin Peek, Alan Tarney and Trevor Spencer) returned to Australia and formed the James Taylor Move in early 1967 when a Adelaide discotheque-owner wanted a house band. They also brought back Marshall amps from the UK being the first Australian group to use them. Adding Robert John Taylor from Sydney on lead vocals they won the South Australian finals of the Hoadley's Battle of the Sounds and in July they travelled to Melbourne to compete in the national final and although they were defeated by The Groop they decided to remain there. 

In August 1967 James Taylor Move issued their debut single, "Magic Eyes'' which peaked at #33 on the Go-Set National Top 40 Singles Chart. According to Ian McFarlane, Australian rock music historian, the "Hendrix-derived 'And I Heard the Fire Sing' was too much for local radio of the day, but programmers flipped the single over to reveal the more radio-friendly psychedelic pop of 'Magic Eyes'". The group followed with a second single, "Baby Jane / Still I Can Go On"", in October that year. The band was extremely popular on the Melbourne scene appearing at all the major venues.

In May 1968 Peek returned to England to continue his classical studies on guitar and was replaced by Lance Dixon on organ and saxophone (ex-Rockwell T. James and the Rhythm Aces). The next month Taylor left to commence a solo career and Wendy Saddington (ex-Revolution) joined on lead vocals and John Pugh on guitar (ex-Roadrunners, Delta Set, Eighteenth Century Quartet, Cam-Pact) was added. This second line-up lasted only a few more months and made no commercial recordings before their split at the end of 1968. Wendy Saddington died in 2013. Kevin Peek died in 2013. John Pugh died in 2025.

Members 

Lance Dixon (organ, saxophone), Kevin Peek (guitar), John Pugh (guitar), Wendy Saddington (vocals), Trevor Spencer (drums), Alan Tarney (bass), Robert Taylor (vocals)




SINGLES
''Magic Eyes (#39) / And I Heard The Fire Sing'' 1967 Festival
''Baby Jane / Still I Can Go On'' 1967 Festival





References

https://en.wikipedia.org/wiki/James_Taylor_Move

http://top100singles.blogspot.com.au/


Tuesday, 17 September 2013

CHEETAH


Cheetah was an Australian pop rock band formed in 1976 in Melbourne, by the English-born sisters, Chrissie (born 25 November 1955) and Lyndsay Hammond (born 14 May 1954). The Hammond family had emigrated to Australia on the liner Strathnaver departing Tilbury on 10 November 1958. From 1974 Lyndsay fronted a group, Skintight, for three years and toured backing Renée Geyer before forming Cheetah. The name was chosen as they "wanted a feline image", it was "seen as a bit racy, not right." They "adopted a sensual approach to singing and modelled their clothes on the title of Lyndsay's old band." (Skintight).

Chrissie was a member of a group, Eli Flash, prior to undertaking the role of Mary Magdalene, from May 1975, in the second Australian musical theatre production of Jesus Christ Superstar. There she met Russell Hitchcock and Graham Russell. With Chrissie and Hitchcock on lead vocals and Russell on guitar, they formed a harmony vocal group, Air Supply in Melbourne, while the show was still running. Chrissie left Air Supply in 1976. Both sisters were session vocalists for Australia-based artists including Jo Jo Zep, Jon English, Marc Hunter and Flash and the Pan. They also worked as a vocal duo backing Stevie Wright, Norman Gunston and Daryl Braithwaite.

Cheetah was managed by Brian de Courcy and initially signed with Philips Records, which issued their debut single, "Shake It To The Right / Love Ain't Easy to Come By" in 1977 – without the group's permission. They switched to Albert Music and recorded a cover version of "Walking in the Rain" – originally by The Ronettes – which peaked at #10 on the Kent Music Report Singles Chart in October 1978 and was the 100th bestselling single of 1978 in Australia. It was produced by Molly Meldrum. A music video, by Chris Löfvén, was also provided. Their other charting singles include "Deeper Than Love" (June 1979), "Spend the Night" (September 1980) and "Bang Bang" (August 1981).

In mid-1980 Chrissie collapsed in a Melbourne recording studio, due to a "kidney infection", which had cleared up by August. When not recording or performing, Chrissie lived in Melbourne and Lyndsay in Sydney. Cheetah gained popularity in Europe, especially "Germany where the girls had a big hit with 'Deeper Than Love'", which sold 96,000 copies. During 1981, for live performances, in Cheetah the Hammond sisters were backed by Mark Evans on bass guitar (ex-AC/DC), Michael Evans on guitar, Martin Fisher on keyboards and saxophone (Swanee, Little Heroes), and John Lalor on drums (Stevie Wright Band, Swanee).

Cheetah toured across Australia, the UK and Europe including appearances at Roskilde in Denmark, the Nuremberg and Wiesbaden Festivals in Germany and a show at the 1982 Reading Festival, which was headlined by Iron Maiden, to an audience of 120,000 people. In April 1982 they issued their debut album, 'Rock & Roll Women', which was produced by Vanda & Young. Chrissie recalled working with Vanda & Young: "They were tough rockers but decent guys. They saw us as strong women, rather than being the tits, the teeth and the glam, they produced us as rockers, which was very innate. Our lyrics, our stage performance was very much in the male vernacular."

For the album they used session musicians: Ray Arnott on drums (ex-Cam-Pact, Spectrum, the Dingoes), Leszek Karski on bass guitar (ex-Supercharge), Ian Miller on lead guitar (ex-Chetarca, John Paul Young and the All Stars), Ronnie Peel on rhythm guitar (ex-Missing Links, Rockwell T. James and the Rhythm Aces, the La De Das, John Paul Young) and Mike Peters on keyboards. Australian musicologist, Ian McFarlane, felt Cheetah had "turned their attentions to AC/DC-styled hard rock with some success."

In mid-1982 Cheetah relocated to the UK. They used various local musicians: Dave Dowell, Martin Dzal, Tom Evans, Ant Glyn, Rod Roche, Eddie Sparrow and Chris West. The group broke up in 1984. McFarlane opined that the sisters "were the archetypal 1970s sex bombs with big hair. They had tremendous, booming rock voices and were in constant demand as session vocalists." After disbanding Chrissie provided vocals for Rick Wakeman (from 1990 to 1998), while Lyndsay issued a solo album, 'The Raven' (1997). Cheetah reformed in 2006 to perform in the Countdown Spectacular and a subsequent tour of Europe.In 2007 Lyndsay co-wrote "Higher Than Heaven" with James Blundell, which the latter issued as his country music single. At the APRA Music Awards of 2008, Lyndsay and Blundell were nominated for Country Work of the Year.





SINGLES 
''Shake It To The Right / Love Ain't Easy To Come By'' 1977 Philips 
''Walking In The Rain (#10) / Desperado'' 1978 EMI
''Deeper Than Love (#89) / Deeper Than Love (Instrumental)'' 1979 EMI
''Spend The Night (#31) / I'm Yours'' 1980 Albert Productions 
''Love You To The Limit / Let The Love Begin'' 1981 Albert Productions 
''Bang Bang (#80) / N.I.T.E.'' 1982 Albert Productions 
''My Man / Come And Get It'' 1982 Albert Productions 

ALBUMS 
'Rock & Roll Women' 1981 Albert Productions 





References

http://en.wikipedia.org/wiki/Cheetah_%28band%29

http://top100singles.blogspot.com.au/


Monday, 16 September 2013

TASTE


In 1970, guitarist Ken Murdoch and bassist Michael Tortoni formed Cloud 9 (aka Cloud Nine) while still at high school. Cloud 9 issued a debut single on Warner Records, called "Say Goodbye" produced by Ian Molly Meldrum in 1973. In 1974, drummer Virgil Donati and vocalist Tony Farrimond joined, and the band signed to RCA. Cloud 9 released the album 'We're Just Good Friends So Rock On' and the singles "Summertime Blues" and "Take My Hand". In 1975, guitarist Joey Amenta replaced Farrimond and the band changed their name to Taste. At the end of the year, the band signed to the Bootleg label.

Taste was a magnificent heavy rock band which featured the dual guitar attack of Ken Murdoch and Joey Amenta. They seemed to have had a pop image which now seems ridiculous - both LPs reached the top twenty in the Australian charts and are absolutely fantastic hard rock classics. At the peak of their career, they played to crowds as large as 13,000 people and owned seven Marshall stacks!

 They appeared on every major concert and TV show including Countdown, Hey Hey its Saturday, The Don Lane Show etc. and toured with Suzi Quatro, Sweet, Skyhooks, Sherbet, TMG and Hush. They were much admired by English rockband Queen (who played Taste's "Boys will be Boys" every night on tour before they went on stage). Unfortunately, due to management problems and bad marketing Taste never achieved the success they deserved. They were asked to tour America with Queen and signed to Sire Records in USA but broke up before releasing anything. Released in 1976, The LP 'Tickle Your Fancy' is a tight batch of quirky hard rock songs brimming with a unique melodic point of view. Considering the young age of the band, a lot of the material here is surprisingly accomplished, both in performance and songwriting.

Though the hooks are very subtle, the entire album taken as a whole is a rewarding listening experience through and through. Richard Guillianti reviewed the band in December's RAM #48 (1976) Taste - Tickling the Star's Fancy by writing: "Taste have been pulling some pretty neat reviews for their LP Tickle Your Fancy and for their new single 'Boys Will Be Boys'. But its not only yer hack cub reporters who've been taking notice of 'em''.

In Sydney, they performed at the Bondi Lifesaver with none other than Sherbet, the All-Stars, Rockwell T James and Kevin Borich in attendance. Afterwards, (Sherbet's) Tony Mitchell congratulated the group on the 'tightest set he had seen from a band for years'. Adelaide was also good to them, there, they broke the attendance record for one of the dances they played. The band re-formed in the mid 2000s and recorded the album 'Rock is Dead'. Damian Corniola joined the group and together the group released 'Life On Earth'.In 2020, they released the EP 'Brothers Vol 1' which included "We All Stand Up" which garnered over 136 radio station add lists and the single "2020s Gone" which charted at No.6 in Madrid.

Members

Joel Witenberg (drums, vocals), Ken Murdoch (guitar, keyboards, vocals), Joey Amenta (guitar, vocals), Michael Tortoni (bass, vocals), Virgil Donati (drums), Damian Corniola (drums)




SINGLES 
''Degenerate Fool / Lone Rager'' 1976 Bootleg 
''Rock 'N Roll Superstar / Tickle Your Fancy'' (#49) 1976 Bootleg 
''Boys Will Be Boys (#33) / Love Ya Babe'' 1976 Bootleg 
''A Little Romance (#53) / Same Old Story'' 1977 Bootleg 
''A Little Romance / Same Old Story'' 1977 Philips 
''Rebecca (#92) / Mainstreet'' 1977 Philips 

EPs 
'Brothers Vol 1' 2020 MR Records Production
'Brothers Vol 2' 2021 MR Records Production

ALBUMS 
'Tickle Your Fancy' 1976 Bootleg 
'Knights Of Love' 1977 Philips 
'Rock Is Dead' 2007 Goset Music 
'Life On Earth' 2015 Goset Music 
'Rock Is God' 2021 MR Records Production




References

http://rockonvinyl.blogspot.com.au/2009/11/taste-tickle-your-fancy-1976.html

http://top100singles.blogspot.com.au/