Initially Exploding White Mice were a covers band, then they began working on original tunes. In 1985 after adding David Bunney on drums (ex-Zippy & the Coneheads), they released a six-track EP, 'A Nest of Vipers', on Australia's Greasy Pop Records. It was produced by Kim Horne. Also, in 1985 their track, "Down on the Street" appeared on the label's compilation album, 'An Oasis in a Desert of Noise'. In 1986 Sydney rock publication, RAM, named 'Nest of Vipers' as the best Australian record of the year. The record was issued in the US on Bigtime Records, renamed as 'In the Nest of Vipers', but despite selling several thousand copies, the group received no royalties as Bigtime became insolvent soon after.
During 1986 and 1987 the group regularly toured major Australian cities and put out singles. In March 1987 they issued the single, "Blaze of Glory" with a B-side being a cover of John Kongos' hit, "He's Gonna Step On You Again". In August 1988 they issued their debut LP, 'Brute Force and Ignorance', which had been recorded and engineered by Cran Wilton at Soundworks Studios in Kent Town. Shortly before its release, Barrow left and was replaced by Dave Mason, (ex-Primevils). In 1989 Jack Jacomos replaced Mason in turn.
In 1990 the group toured Europe and released a half-studio, half-live self-titled LP on Normal Records. Shortly after, Gilchrist left, and Stephens took over on lead vocals. In early 1991 they began recording a new album, 'Collateral Damage', again at Soundworks Studios. However, when the Greasy Pop label went out of business that year, they could not find a local distributor and released it in 1992 on Normal Records in Germany and NKVD Records in the United States. David's brother Andrew Bunney (ex-Zippy and the Coneheads) joined on rhythm guitar. The group's final album was 1994's 'We Walk Alone', on Au Go Go Records, Lucky Records (US), Subway (Europe) and 12" LP 'Rock & Roll Inc 008' (Spain). The group had a cameo appearance on John Winter's 1994 film The Roly Poly Man portraying a "punk-rock bar-band from Hell". In 1995 they re-released 'Nest of Vipers' with bonus tracks on Bastard Records. In 1996 they issued a single, "Prepare to Die", toured Europe with German band, The Richies. Exploding White Mice disbanded in April 1999. Andy McQueen died in 2018.
Paul Gilchrist (vocals), Andy MacQueen (bass), Gerry Barrett (guitar), Craig Rodda (drums)
Giles Barrow (guitar) Jeff Stephens (guitar) David Bunney (drums), Jack Jacomos (guitar)
In 1990 the group toured Europe and released a half-studio, half-live self-titled LP on Normal Records. Shortly after, Gilchrist left, and Stephens took over on lead vocals. In early 1991 they began recording a new album, 'Collateral Damage', again at Soundworks Studios. However, when the Greasy Pop label went out of business that year, they could not find a local distributor and released it in 1992 on Normal Records in Germany and NKVD Records in the United States. David's brother Andrew Bunney (ex-Zippy and the Coneheads) joined on rhythm guitar. The group's final album was 1994's 'We Walk Alone', on Au Go Go Records, Lucky Records (US), Subway (Europe) and 12" LP 'Rock & Roll Inc 008' (Spain). The group had a cameo appearance on John Winter's 1994 film The Roly Poly Man portraying a "punk-rock bar-band from Hell". In 1995 they re-released 'Nest of Vipers' with bonus tracks on Bastard Records. In 1996 they issued a single, "Prepare to Die", toured Europe with German band, The Richies. Exploding White Mice disbanded in April 1999. Andy McQueen died in 2018.
Members
Paul Gilchrist (vocals), Andy MacQueen (bass), Gerry Barrett (guitar), Craig Rodda (drums)
Giles Barrow (guitar) Jeff Stephens (guitar) David Bunney (drums), Jack Jacomos (guitar)
References
http://en.wikipedia.org/wiki/Exploding_White_Mice
http://top100singles.blogspot.com.au/
http://en.wikipedia.org/wiki/Exploding_White_Mice
http://top100singles.blogspot.com.au/
I was not old enough to appreciate this band, but in a memory, I am sure I heard them on Local &/Or General on SA.FM. ? ! I was caught up in an oasis in a desert of noise and did not entirely appreciate good music at the time. Older now, I appreciate the greatness of EWM. Rock In Peace Andy.
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