During early 1993 Matthew Bailey and Charles Bickford met each other and formed a friendship based in the "music they played and a shared dark obsession with the fate of numerous women that had disappeared in their home state". Later that year they met up with Matthew Aulich and started song writing together. The Paradise Motel was formed in Hobart, Tasmania with Matt Aulich on electric guitar, Matt Bailey on bass guitar and Charles Bickford on acoustic guitar. After playing one concert at Kaos Cafe they relocated to Melbourne in 1995. Mérida Sussex, who worked in the St Kilda Public Library, joined on lead vocals. Their line-up was completed by Mark "BJ" Austin on Hammond organ and Tim O'Shannassy on drums. O'Shannassy had replaced a "succession of other percussionists who had passed through" the band.
Their first Melbourne concert was on Valentine's Day 1995 at the Carlton Movie House, beginning a penchant for performing at atypical venues. They joined Bruce Milne's management company, The Shining Path, and signed to Mushroom Records which, in 1996, released their début six-track EP, 'Left Over Life to Kill', via the label's offshoot, Infectious Records. Australian musicologist Ian McFarlane opined ''The band have managed to polarise critical opinions as to the worth of its dramatic, haunting, minor key soundscapes. Some declared The Paradise Motel to be the most interesting new band of 1996, others found them insufferably pretentious and solemn''.
'Left Over Life to Kill' was variously described as "An assured and extremely vivid piece of music" "In 25 minutes they might very well change the way you listen to music, 9.5/10", and "Possibly the finest début EP by a band in Australian music history". McFarlane felt it "contained a number of melancholy pieces" typified by "German Girl", "Ashes" and "North of God". 'Left Over Life to Kill' reached #2 on the Australian Alternative Charts and became one of the highest selling alternative releases of 1996. A second EP, 'Some Deaths Take Forever', followed – titled from graffiti seen at the Brisbane venue, The Zoo. This EP has remixes of two tracks and out-takes from 'Left Over Life to Kill', and a cover version of The Triffids' song "Raining Pleasure"; it was produced by the band. 2,000 hand-numbered copies were pressed and soon sold out. The cover art on these EPs and some subsequent releases maintained a stylistic uniformity, reminiscent of Penguin Books' Penguin Classics series. In September 1996 the group toured nationally supporting Tex Perkins.
Early in 1997 The Paradise Motel issued their first full-length album, 'Still Life'. Early editions featured an accompanying bonus disc, 'Junk Mail', which consisted of 32-minutes of out-takes. Ahead of the album, in October 1996, they released a single, "Bad Light". It was described as "a perfect example of the band's self-described technique: 'The violence and the silence'". In February 1998 they issued a single, "Heavy Weather", with an attendant film clip. Both highlighted a new lush styling for the band as Mushroom and Infectious Records prepared them for an overseas market. "Calling You" was promoted in the United Kingdom as a CD single. In June they followed with another single, "Derwent River Star", for the Australian market. In January 1998, they supported the band Stereolab, on their Australian tour. In March, they toured the UK supporting indie rock band Grandaddy and Sparklehorse in July.
In September 1998, The Paradise Motel relocated to the UK and issued their second album, 'Flight Paths'. It indicated a denser production, other singles and a UK tour followed. UK magazine, Melody Maker had described them as "a deliciously unsettling proposition". Mushroom and Infectious Records had the group as their first signing to the London-based branch. After touring Europe, they followed with a North American tour supporting Mercury Rev, including at the College Music Journal Festival in New York and the North by Northwest Festival. In March 1999 the band released a cover version of The Cars' 1984 track, "Drive". In October they followed with 'Reworkings', a compilation of remixes by guests including Mogwai, Mark Eitzel and Echoboy. The remix by Lee Ranaldo, "Lee's Trees" was released as a single. The group continued to play shows in the UK with acts such as The Divine Comedy, Smog and Drugstore, though they released no new material and disbanded in early 2000.
In January 2008 The Paradise Motel had reformed with Aulich, Austin, Bickford and Sussex joined by new members Damien Hill on drums and bassist Esme MacDonald (ex-Penthouse). They began recording their third studio album, 'I Still Hear Your Voice At Night' however the album was not released until 29 January 2011 due to the suicide of Hill in December. Thematically it was considered an extension of their earlier preoccupations, death, disappearances and the Australian wilderness. After the recording Campbell Shaw joined on violin. Work on a fourth studio record, 'Australian Ghost Story' began mid-2009, with the addition of drummer Andy Hazel (ex-Tacoma Radar, School of Emotional Engineering and The Ruby Suns). The album concerns the Azaria Chamberlain disappearance and was issued on the 30th anniversary of her birth, 11 June 2010. The album received positive reviews upon its release.The following album Oh Boy was released in September 2013. It was announced as the second album in a thematic trilogy examining Australian self-criticism and drive for cultural approbation.
Members
Merida Sussex (vocals), Charles Bickford (guitar, hammond organ), Matthew Aulich (guitar), Matthew Bailey (bass), Tim O'Shannassy (drums), BJ Austin (organ), Esme MacDonald (bass), Damien Hill (drums), Andy Hazel (drums), Campbell McDonell Shaw (violin)
References
The Paradise Motel - Wikipedia
http://top100singles.blogspot.com.au/
http://top100singles.blogspot.com.au/
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