THE EXECUTIVES

This polished sextet was founded by husband-and-wife Brian and Carole King in Sydney in late 1966, quickly gaining 'must-see' status around inner-city venues. The other members were Dudley Hood on guitar, Gary King on bass, Rhys Clark on drums and Keith Leslie on sax. In January 1967 they released their debut single, a cover of The Addrisi Brothers' "You're Bad" sung by Carole. Saxophonist Keith Leslie sang lead vocal on the B side ''Wander Boy''. 

It was the one-two punch of follow-up 45s in mid-'67 that cemented The Executives' reputation. "My Aim Is To Please You" was a beautifully arranged and recorded mid-paced ballad with deft electric piano flourishes of Brian King. An interesting piece of music 'trivia' about this song is that it was written by guitarist Kenny Young, who is best known as the co-author of the R&B classic "Under The Boardwalk". In the mid-'70s Young formed the band Fox (fronted by expatriate Aussie singer Susan Traynor aka Noosha Fox), who scored a major international hit with the song "S-S-S-Single Bed" in 1976.

Many listeners mistook the band's new single for an American recording, perhaps by The 5th Dimension or The Mamas & the Papas (whose styles obviously had a strong influence on them) before discovering to their considerable surprise that it was a home-grown product. "Aim" became a sizeable national hit, peaking at #18 nationally. It paved the way for their biggest seller, the lush, majestic Steven Stills song "Sit Down I Think I Love You" (originally recorded by Buffalo Springfield on their debut album). It was a Top 30 hit on most capital city charts during October 1967 and was especially successful in Sydney, where it peaked at #4, and it reached #20 nationally. 

During 1968 they released a trio of self-produced singles, making them one of the very first Australian bands to produce their own recordings. The first was the brisk and catchy "It's A Happening World" written by Brill Building doyens Barry Mann & Cynthia Weill, which made the Top 40 in Sydney and Brisbane. After this single was released, the band had a line-up change. Festival producer Pat Aulton felt that The Executives needed to evolve both musically and vocally in order to achieve the success he believed they deserved, so it was agreed to replace Dudley Hood and Keith Leslie with musicians who would better fit producer Pat Aulton's vision. 

Dudley was the first to leave, replaced by Brian Patterson who had been a member The Laurel Lea Ensemble as a 17-year-old in 1964, followed by The Blue Beats in 1965 who supported tours by Normie Rowe and The Rolling Stones. In August 1966, he joined the remnants of The Vince Maloney Sect after Vince left, briefly backing singer Peter Doyle. Two months later, he joined singer Tony Worsley’s new backing group, The New Blue Jays.

Keith Leslie was replaced with Gino Cunico. Gino was born in Sydney, NSW. He commenced his musical career as a boy vocalist at nine years old and by 15 had appeared on most of Australia’s top television music shows. As a 13-year-old in 1962, he graced the cover of Teenagers’ Weekly and in August 1962 released his first single, ''Aw Please Daddy / Eeny Meeny Miney Moe''. He had most recently formed The Gino Affair in 1967.

The second single was an irresistible slice of pure pop called "Windy Day"; originally recorded by US band The Lewis & Clark Expedition, it was another big success for The Executives in Sydney, where it reached #7. In the last week of June 1968, The Executives made their next line-up change. Brian Patterson’s love for the blues would simply prove too strong, so, with no hard feelings, he left the band. 

Patterson was replaced with Ray Doughty [Ray Burton]. Born into a family of entertainers, it is no surprise that Ray’s musical career began at a very young age. By 16, he was touring with The Dave Bridge Quartet. After the quartet split at the beginning of 1963, Ray formed The Telstars and started writing his own songs. His first hit song was a surf instrumental released in December 1963 titled ''Reef Ride'', which, while not setting the local charts on fire (despite favourable reviews), managed to become a hit in, of all places, Switzerland! After a stint touring outback Australia with The Laurel Lea Ensemble (which also included a young Brian Patterson), Ray joined the masters of harmony, The Delltones, and soon became known for his top tenor voice. After perfecting harmonies with The Delltones, he replaced Billy Green in The Questions in January 1968, where he immediately found himself playing support to The Who, Small Faces and Paul Jones, who were in Australia for a national tour. When The Questions disbanded the following month, Ray joined Bill Fleming in his new group, The Dynasty. Ray, with his honed harmony skills, fit the bill perfectly. In addition, he brought exceptional guitar playing and songwriting skills, providing just the injection that The Executives needed.

The third single was a glistening bauble of psych-pop whimsy, "Summerhill Road" (December), co-written by Ray Burton and Garry Paige, as was the single's flipside, "Christopher Robin". All of the above-mentioned singles were respectable national sellers. Around this time the band cut a track for a various-artists promo EP for the Coca-Cola company, which is now extremely rare. The uncredited liner notes, couched in the hip vernacular of the day, make for amusing reading 30-odd years on: "They're the top group in New South Wales, and with "Windy Day" a bullet performer everywhere it's played, they look like staying that way. Their new jingle for Coca-Cola and their latest single ("Summerhill Road"), featured on the flip side of this disc which was written and produced by themselves will really knock you out!"

Shortly after the early-1968 release of their eponymous debut LP, 'The Executives' made the first of two forays to the USA, where they attracted encouraging industry scrutiny. They signed to the Buddha label and with the management team of DiBlasio, Wald & Day whose client list included Billy Joel, Helen Reddy and Tiny Tim (partner Jeff Wald was the husband of Helen Reddy). Unfortunately, nothing came of the Buddah deal, so they eventually returned to Australia.

But their absence did little to diminish their popularity in their homeland, where a further bunch of singles, EPs and another album fared well on the charts, and they remained a popular live draw. Their second album, 'On Bandstand', gathered many of their earlier hits, supported by a selection of well-chosen covers of contemporary standards, including several tracks from the hit musical Hair, and the LP confidently showcased the abundant musical strengths of the band. This collection has been re-released in various forms subsequently.

A second trip to America in late 1969 saw them absorbing the prevailing psychedelic-progressive trends; falling" into line with that maxim, they changed their name to The Inner Sense, adopting a heavier musical style but still retaining their trademark vocal polish. The line-up of the group lasted until 1969 with Ray Burton opting to stay in the USA. Gino also departed the band to try his luck in the USA. In 1971, Gino released the album 'Strive, Seek, Find' with his former guitarist Ray Burton on Paramount Records.

Unfortunately, new trends in progressive and heavy rock were making the smooth, breezy pop stylings of The Exectuives a thing of the past, and they were tagged as a "middle of the road" band in later years. Most of the group returned to Australia, and during this period Carole and Brian wrote, performed in and produced the music for the now forgotten the stage musical Nuclear, of which former 60s pop idol Mike Furber was briefly a cast member, just before his tragic death.

Ray Burton remained in America until 1973, and it was during that time that he co-wrote the international smash hit "I Am Woman" with Helen Reddy. On his return he became an in-demand session player and went on to work in several prominent groups -- Doug Parkinson & Friends and then McGuire, Kennedy and Burton (both 1973), which evolved into Ayers Rock later that year. 

Carole and Brian King formed an aptly-name new group, Transition, which kept them going until they had found the right personnel with which to resurrect The Executives in June 1974. The new lineup included bassist-guitarist Alan Oloman (formerly a member of legendary Lithgow band The Black Diamonds) and vocalist Jonne Sands, a former Sunshine label artist who at one stage was touted as a successor to Normie Rowe and who scored a lone a solo hit with "Mothers And Fathers" in October 1968. He took over Gino Cunico's original role as co-lead singer with Carole, and for three more years this line-up enjoyed solid patronage around Sydney's club and cabaret circuit, and they released three singles on Polydor. They made regular appearances on TV variety shows and also wrote and recorded the theme music for Grundy's hospital soapie The Young Doctors.

After The Executive"s folded for good in 1978, Brian and Carole King continued to team for studio sessions. Sands resumed a moderately successful solo career, mainly as a club performer.  continued with session work, contributing to Nuclear and wrote the music for the 1979 film Alison's Birthday.

The Executives left behind a body of fine records that are highly sought after by collectors of quality sixties Aussie pop, although it has to be said that they have been lamentably overlooked in terms of CD reissues. Since the closure of Festival Mushroom Records in 2005 and the sale of its archive to the Warner group there has been little action on this front, apart from the recent reissues of the Split Enz catalogue. Nevertheless, The Executive should be remembered for their sophisticated and inventive sound, those gorgeous vocal harmonies, their accomplished musicianship and their mastery of the three-minute pop single idiom. Alan Oloman died in 2008 of cancer aged 61. Gary King died of cancer in 2022.

Members

Brian King (electric piano, keyboards), Carole King (vocals), Dennis Allgood (bass, vocals), Ray Burton (guitar, vocals), Rhys Clark (drums), Gary Cunico (vocals), Dudley Hood (guitar), Gary King (bass), Keith Leslie (saxophone, vocals), Brian Patterson (guitar), Brian Kirby (drums), Alan Oloman (bass), Ron Smith (guitar), Jonne Sands (vocals), Jose McLaughlin (keyboards), Pip Lee (drums), Moz Sammons (guitar), Wayne Newey (bass)

SINGLES

''You're Bad / Wander Boy'' 1966 Festival
''My Aim Is To Please You (#18) / Bad Reputation'' 1967 Festival
''Sit Down, I Think I Love You (#20) / Don't You Sometimes, Baby, Find That I'm On Your Mind'' 1967 Festival
''It's A Happening World (#42) / Moving In A Circle'' 1968 Festival
''Windy Day (#24) / This Town Ain't The Same Anymore'' 1968 Festival
''Christopher Robin  / Summer Hill Road'' (#55) 1968 Festival

''Parenthesis / Got My Woman'' 1969 Festival
''Hey Man / You're Gonna Love Me'' 1970 Festival
''On The Road Back / Uptown 'N Down'' 1974 Polydor
''Tinker Tailor / Songs Of Love'' 1976 Polydor
''Let The World Go Round (#68) / Country Lady'' 1976 Polydor

EPs

'The Executives Break Out' 1967 Festival
'It's A Happening World' 1968 Festival
'Parenthesis' 1969 Festival

ALBUMS

'The Executives' 1968 Festival
'On Bandstand' 1969 Festival

References

Paul Culnane

Jaesen Jones

http://top100singles.blogspot.com.au/