LAUGHING CLOWNS

Laughing Clowns was formed in April 1979 in Sydney as a rock, soul, avant-jazz group by Bob Farrell on saxophone, Ed Kuepper on lead guitar and lead vocals (ex-Kid Galahad and the Eternals, The Saints), Ben Wallace-Crabbe on bass guitar, and Jeffrey Wegener on drums (ex-The Saints, Last Words, Young Charlatans). In late 1978 Kuepper had quit punk rock band, The Saints, in London – where they had relocated – due to a rift regarding future direction with fellow founder, Chris Bailey. Kuepper preferred "less commercial, more cerebral material" as seen on the band's third album, 'Prehistoric Sounds' (October 1978).

When Kuepper returned to Australia in 1978, he had contemplated musical retirement, however he reconnected with two old school friends, Farrell and Wegener, at a party and they coaxed him into forming a new band. Both Farrell and Wegener had associations with The Saints: Wegener was an early member in 1975 and Farrell was one of the Flat Top Four, which performed backing vocals on "Kissin' Cousins" for that band's debut album, '(I'm) Stranded' (February 1977). Ben Wallace-Crabbe had played in a Melbourne band, The Love, with Wegener, and completed the initial line-up. A proposed single by The Saints, "Laughing Clowns / On the Waterfront", through EG Records was not recorded by that group due to the difference of opinion between Kuepper and Bailey. Each track appeared elsewhere: "On the Waterfront" on The Saints' first post-Kuepper EP, 'Paralytic Tonight, Dublin Tomorrow' (March 1980) and "Laughing Clowns" provided Kuepper's new band's name.

Ben's cousin and former guitarist in the Melbourne-based version of Crime & the City Solution, Dan Wallace-Crabbe (also ex-The Love), joined the group on piano before they recorded their self-titled six-track mini-album in May that year on the Missing Link label. It was recorded at Richmond Recorders in Melbourne with production by Kuepper, and engineering by Tony Cohen. All six tracks were written by Kuepper. Released via Missing Link, it gained favourable reviews in the Australian independent music press. McFarlane opined that it was "unlike any other record made in Australia to that point. The music's only parallel lay in latter-day Saints as a logical progression from 'Prehistoric Sounds', but at the same time it was a departure, a foray into new territory. The open-ended song arrangements were stirring and provocative, but also disconcerting. The production values were cavernous and echoey; a fascinating sound, but very cold and detached". A promotional video for one of its tracks, "Holy Joe", was provided, a rare feat from an Australian independent band of the Countdown era.

Laughing Clowns made their public debut in August 1979, immediately encountering both confusion and antipathy from The Saints' fans who expected a more abrasive punk sound.Australian musicologist, Ian McFarlane, noted that "Part of the problem was that the band's sound defied categorisation. Having to overcome such ludicrous labels as 'jazz-punk' it was diverse yet moody, at turns melodic or dissonant. It ranged from rock and soul to avant-jazz". The Saints' 'Prehistoric Sounds' had not received a local release via EMI until 1979, so Laughing Clowns performed various tracks from that album in their early sets – including "The Prisoner" and "Swing for the Crime". 

The group was disenchanted with their former label, so their second release, a three-track single, 'Sometimes, the Fire Dance', appeared under the Prince Melon imprint– a label run by then-manager, Ken West, and Kuepper. The label name Prince Melon was the nickname the band had for West. This single had been recorded in mid-June 1980 again with Cohen engineering but had the whole group producing. Jonathan Green of The Canberra Times felt the three-track single had "super songs, especially the A side, which strikes the odd emotional chord, from one of the most challenging bands in the country. Apparently poppy, with an underlying and sinister atonality". Peter Doyle joined the band on trumpet and the band released the EP, 'Laughing Clowns 3', with five tracks.

A gig at the Paris Theatre in Sydney with The Birthday Party and The Go-Betweens marked the last gig with Farrell. Ben Wallace-Crabbe also left the group before the year's end and his cousin, Dan followed within a few months. Ben subsequently formed Upside Down House, and later committed suicide. In July the Prince Melon tracks were combined to create their first compilation album, 'Throne of Blood/Reign of Terror. 

The line-up of Doyle, Kuepper and Wegener continued as a three-piece exploring much freer arrangements and drawing from the band's mutual interest in free jazz. By mid-1981 they gained Louise Elliott on saxophone and flute; and Leslie 'Bif' Millar on fretless and upright bass guitar. With this new line-up, the band delved further into jazz-inspired improvisation and experimentation. In March 1982 Laughing Clowns issued their debut studio album, 'Mr Uddich-Schmuddich Goes to Town'. It was recorded in November of the previous year and was produced by Doyle, Kuepper and Wegener; engineered by Doyle and Peter Walker (ex-Bakery guitarist). It showed a change of approach with the addition of Millar's jazz-schooled bass playing. Much like the work of Captain Beefheart, the seemingly improvisational elements are predetermined by Kuepper, the band's primary songwriter, except the LP's title track.

Jim Green, of TrouserPress, summarised the group's history and described this album as displaying "a shift in the lineup brought in a new saxman and bassist (playing acoustic stand-up) and dropped the pianist. The tracks are more succinct, and the overall impression is that of consolidation and retrenchment". Alex Griffin of Life is Noise website lists it as one of his Top Australian Albums, "Despite sounding like it was recorded inside Ed’s cavernous, musty trachea, the songs are paranoid and shifting, propelled as ever by Jeffrey Wagoner’s drumming which sounds like a jittery dinosaur in a Chinese tea room". Soon after its release the band relocated briefly to Europe and recorded a session for John Peel which appeared on a four-track EP, 'Everything That Flies Is not a Bird', released in 1983.

By the end of 1982, the group had temporarily split due to internal tensions, and Wegener joined The Birthday Party for a tour of Holland early in the next year. Kuepper reformed Laughing Clowns in May 1983 with Elliott and Wegener but without Millar. They added Peter Milton Walsh (ex-The Apartments) on bass guitar. Walsh remained for twelve months and had not played bass guitar in a band before; he appeared on their second album, 'Law of Nature'. It was recorded during the latter half of 1983 in Sydney and released in April 1984 on the newly formed label, Hot, with the addition of pianist Chris Abrahams.

The single, "Eternally Yours", was released on 12" in March with a promotional video accompanying it. The group started promoting the releases with a national tour, The Canberra Times‍ '​ correspondent noted gig giveaways included "Free flexi-discs of the band's new single, ''Eternally Yours'', which will include one unreleased track, to the first 300 people passing through the door. Albums and 12inch giveaways are on the agenda". The line-up were "well-established" with Kuepper, Wegener, Elliot, and Walsh. The album employs the recording of duel acoustic and electric guitar tracks, and a more song-based approach. The Canberra Times reviewer, Debbie Muir, noted its "innovative, though frankly bitter, style that's not punk or new wave or straight rock but just its unpretentious self". She praised the lead single as "The best track by far is 'Eternally Yours', which conveys an atmosphere of drooling sadness ... the extended single version is much, much better" than the album's version. McFarlane praised the album and its lead single as being "amongst the band's very finest works. There were moments of great beauty on 'Law of Nature' such as ''Law of Nature'', ''Written in Exile'' and ''Eternally Your's', where Elliot's soulful and epic sax riff danced majestically in the air".

After a national and European tour in support of the album, Walsh departed to return to The Apartments and was replaced on bass guitar by Paul Smith. Laughing Clowns was expanded with the addition of Glad Reed on trombone, Dianne Spence on saxophone, and Louis Tillett on piano. In October 1984 they began recording their final album, 'Ghosts of an Ideal Wife', at Alberts Studios. By Christmas of that year, the band split after international and national tours, with Kuepper finishing the album, early in 1985. A posthumous single, the double A side "Just Because I Like / Crystal Clear" was released in February 1985 via Hot Records. A compilation album 'Golden Days - When Giants Walked The Earth' was released in 1995. Louis Tillett died in 2023.

Members

Ed Kuepper (vocals, guitar), Jeffrey Wegener (drums), Ben Wallace-Crabbe (bass), Dan Wallace-Crabbe (piano), Peter Doyle (trumpet), Chris Abrahams (piano), Paul Smith (bass), Peter Walsh (bass), Leslie Miller (bass), Bob Farrell (sax), Louise Elliott (sax), Glad Reed (trombone), Dianne Spence (sax), Louis Tillett (piano)

SINGLES
''Sometimes (I Can't Live With Anyone) / Crying Dance / The Fire Might Fall'' 1980 Prince Melon 
''Theme From "Mad Flies, Mad Flies / Mr. Uddich-Schmuddich Goes To Town'' 1981 Prince Melon
''Law Of Nature / Crystal Clear'' 1983 
''Sometimes / Holy Joe'' 1984 Hot 
''Just Because I Like / Crystal Clear'' 1984 Hot 

EPs

'3' 1981 Prince Melon

'Everything That Flies' 1983 Prince Melon

ALBUMS
'The Laughing Clowns' 1980 Missing Link
'Mr Uddich-Schmuddich Goes To Town' 1982 Prince Melon 
'Law Of Nature' 1984 Hot 
'Ghosts Of An Ideal Wife' 1985 Hot 

References

http://en.wikipedia.org/wiki/Laughing_Clowns